What is so special about special effects? What role does technological innovation play in their convincing construction of illusion? What distinguishes ‘special’ from ‘visual’ effects? In this Footnote episode, Chris and Alex play with ideas of special effects in relation to fantasy and animation, going back to early cinema and the animated fantasies (or fantastical animations) of Georges Méliès to think about the history of pro-filmic illusions captured on camera; practical vs. digital distinctions in the articulation and realisation of effects imagery; and the growing influence of post-production processes in the era of computer graphics.
**Fantasy/Animation theme tune composed by Francisca Araujo**
**As featured on Feedspot’s 25 Best London Education Podcasts**
Footnote #47 - Aura
Toy Story (1995) (with Lucy Fife Donaldson)
Footnote #46 - Multiplanarity
Indiana Jones and the Dial of Destiny (2023) (with Sarah Thomas)
Footnote #45 - The Disney Renaissance (with Peter Kunze)
Beauty and the Beast (1991) (with Peter Kunze)
Footnote #44 - Hanna-Barbera (with Jared Bahir Browsh)
The Flintstones (1960-1966) (with Jared Bahir Browsh)
Footnote #43 - Disney Princesses (with Robyn Muir)
Wish (2023) (with Robyn Muir)
Footnote #42 - Tolkien’s On Fairy Stories
The Lord of the Rings: The Return of the King (2003)
Footnote #41 - Canons
Life, Animated (2016) (with Janet Harbord)
Footnote #40 - Puppetry
The Dark Crystal (1982) (with Tanya Kirk)
Arthur Christmas (2011)
Disney: A Tale of Technology and Innovation (Live at the British Film Institute) (with Chris McKenna)
Footnote #38 - Storybook Openings
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