In this episode, Dave and Andrew discuss the first solo piano work to ever win a Pulitzer Prize. And they try to answer the question–if these are "new" etudes, what are the "old" etudes? They also examine how Bolcom incorporates various styles and techniques into the etudes, and ponder the set's historical place among other etude collections.
If you'd like more information about William Bolcom, we recommend:
And if you'd like to read Dave's interview with Marc-André Hamelin (who premiered the entire set), you can find it here.
Bonus: An Interview with Howard Pollack
Episode 49 - 1991: Shulamit Ran, Symphony
Episode 48 - 1990: Mel Powell, Duplicates
Episode 47 - 1989: Roger Reynolds, Whispers Out of Time
Bonus: An Interview with William Bolcom
Bonus: An Interview with John Harbison
Episode 45 - 1987: John Harbison, The Flight Into Egypt
Episode 44 - 1986: George Perle, Wind Quintet IV
Episode 43 -1985: Stephen Albert, Symphony RiverRun
Episode 42 - 1984: Bernard Rands, Canti del Sole
Bonus: An Interview with Ellen Taaffe Zwilich
Episode 41 - 1983: Ellen Taaffe Zwilich, Symphony No.1 (Three Movements for Orchestra)
Episode 40 - 1982: Roger Sessions, Concerto for Orchestra
Episode 39 - 1981: No Winner
Episode 38 - 1980: David Del Tredici, In Memory of a Summer Day
Episode 37 - 1979: Joseph Schwantner, Aftertones of Infinity
Episode 36 - 1978: Michael Colgrass, Déjà Vu
Episode 35 - 1977: Richard Wernick, Visions of Terror and Wonder
Episode 34 - 1976: Ned Rorem, Air Music
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