How Stories Work with Jay Sherer
TV & Film
WRITING FOR EMOTIONAL IMPACT by Karl Iglesias - Chapter 3, Part 1
Concepts that Sell - Like Miles Morales as Spider-Man - But Why?
On today's episode:
We dig deeper into Karl Iglesias's book, WRITING FOR EMOTIONAL IMPACT. Using Karl's thoughts as a jumping off point, we discuss the techniques writers use to elicit emotions, and the importance of emotion in storytelling.
This week, it's all about how to "punch up" concepts to make them: (1) more uniquely familiar, and (2) promise more conflict!
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PURCHASE TIMESLINGERS! Jay and Nathan's time travel novel is available now! TIMESLINGERS currently has 4.5/5 stars on Amazon.com!
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Indiana Jones and the Temple of Doom | How Stories Work
Raiders of the Lost Ark | How Stories Work
Indiana Jones HATES his father...
Indiana Jones’ First Love | The Adventures of Young Indy
Indiana Jones PUNCHES a Pimp | The Adventures of Young Indy
Teddy Roosevelt YELLS at Indiana Jones | The Adventures of Young Indy
Indiana Jones wears brownface?!?! | The Adventures of Young Indy
Breaking into Hollywood | Collateral & Skyfall | Interview with Screenwriter Sam Tahhan
Drunk3PO is Writing a Graphic Novel About Finding Purpose and Value
The Importance of Telling DARK Stories | Interview with Screenwriter and Poet, Joe Favalaro
Chinatown EXPLAINED | A Deep Dive Into One of the BEST Screenplays of All Time
The Power of Literature with Author Dr. Joseph Bentz
What It’s Like to Receive Script Notes from a Production Studio
The Most UNIQUE Scene in Film History
”It’s Too Woke!” - Why Writers SHOULD NOT Write with an Agenda
Do Box Office Numbers Matter Anymore? Why They May Matter MORE THAN EVER!
Death, Redemption, and Writing - Stranger Things | Star Wars | Tokyo Vice
Is Vecna a PERFECT Analogy for The Devil? | Stranger Things, Season 4
Why LOGAN Works Where KENOBI Doesn’t... | How Stories Work
Who’s the Audience for Obi-Wan Kenobi? | Obi-Wan Kenobi FINALE SPOILER Discussion!
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