Carmine has much to say in defense of offering a fresh, new reading of a work like Dvorak's concerto, no matter how familiar it might be to some, and let me say his new release is proof. The recording of the Schumann and Dvorak cello concerti was released (at the time of writing) just over a week ago and is fantastic.
There were a few "aha" moments for me discussing what must be one of the most famous cello concertos there is, as Mr. Miranda brings some insight into how the cello concerto is unique among the other works the composer wrote during his time in America, and you can't miss it when you listen. The things that make this work unique, the parts of himself that Dvorak brought to the work seem also to be things with which Miranda identifies, and the result is a crystal clear, powerful interpretation of a work that you just might hear in a new way. Go listen.
Find Carmine at www.carminemiranda.com or on Facebook. The album is in iTunes and everywhere else.
Find me at www.fugueforthought.de, and on Twitter and Facebook @fugueforthought.
In Memoriam: Paul Zukofsky
2016: A Coda
Lisa Casal-Galietta: A (Red) Door to Classical Music
Mary Birnbaum: Otello (and opera) Overseas
Mike McCaffrey: Haydn Found
Julie Comparini: From Bach to Brecht
Bob Lord: For the Record(ings)
Mike McCaffrey: Haydn Seek, Part 2
Katelyn Bouska: Illuminating Ištvan
Quatuor Diotima在台北演Boulez的首演
Livre pour Quatuor Diotima
Mike McCaffrey: Haydn Seek, Pt. 1
Carmine Miranda: Schumann's Sentimental Cipher
Clipper Erickson: His Cup Runneth Over, Part 2
Jess Wyatt: A Viola Player Speaks, Pt. 2
Clipper Erickson: His Cup Runneth Over, Part 1
Jess Wyatt: A Viola Player Speaks, Pt. 1
Richard Narroway: Bringing Bach to Life
Harpist Viktor Hartobanu Part 2
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