When one note vibrates, in gently vibrates adjacent tones as well. This is called the overtone series, or the harmonic series. How does this relate to songs and arrangements? How can we manipulate this series to do something new?
Earl Cutter is a multi-instrumentalist and music educator in Maryland - and a good friend of mine. In this episode he talks about how the chords in Auld Lang Syne relate to one series of notes, and how he manipulates this series to make his arrangement.
For more information on the harmonic series, I highly recommend this short paper by Mark Petersen:
https://amath.colorado.edu/pub/matlab/music/MathMusic.pdf
S2 Ep14 - Ray McGale's Gently Plays Circles Around You
S2 Ep13 - Adapting for Vibraphone with Nathan Dufresne
S2 Ep12 - An Epic Journey with Ryan Muns
S2 Ep11 - Celia Tewey Makes It Funky
S2 Ep10 - Lasya Soothes with the Bansuri
S2 Ep9 - Phrygian Mode + UPDATES
S2 Ep8 - James Fernando Returns with Rhythmic Illusions
S2 Ep7 - Rob Talks Modes (Dorian Mode) and has a breakdown
S2 Ep6 - Denis Viel talks Soul, Singing, and Stagecraft
S2 Ep5 - DAMOYEE talks about layers, voices, and reverb
S2 Ep4 - Rob Talks About Modes: Lydian Mode
S2 Ep3 - Changing Sounds with Ari Voxx
S2 Ep2 - Jazz Arranging and Improv with Andy Statler
S2 Ep1 - Flute and Guitar Pedals with Anh Phung
UPDATE: Season 2!
Ep. 13 - Bellwether Bayou
Ep. 12 - James Fernando
Ep. 10 - Rob Talks Rhythm 2
UPDATE! New Schedule
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