This is one of the papers from our 2017 Annual Conference, the Future of Phenomenology. Information and the full conference booklet can be found at www.britishphenomenology.org.uk
AbstractDrawing upon the work of John Duncan (2005), Thomas R. Flynn (2014), and upon Frederick A. Olafson’s (1967) classic text, Principles and Persons: An Ethical Interpretation of Existentialism, this paper argues that the development of Jean-Paul Sartre’s phenomenology is guided by his commitment to providing a robust foundation for philosophical realism. Its aim is to illuminate how, rather than merely enriching our knowledge of experience itself, Sartre’s mature phenomenology seeks to transcend experience toward the concrete realm of worldly being by affirming that human experience provides the basis for a ‘realistic materialism’. This paper proceeds by first discussing how, despite his initial, enthusiastic engagement with the phenomenology of Edmund Husserl, Sartre departs from Husserl in his efforts to turn his phenomenology outward – towards deepening our understanding of others and things in the world – rather than inward – toward the self – which is how he interprets Husserl’s work. Then, it traces the development of Sartre’s phenomenological thought from Being and Nothingness through to the Critique of Dialectical Reason and argues that Sartre progressed from using the tools of ‘pure’ phenomenology as a means of examining consciousness, to developing a realist phenomenology that is committed to describing human experience as concrete experience of an embodied self, the world, and others. Finally, this paper highlights some idealist tendencies that persist in Sartre’s thought and poses the question of whether his mature phenomenology can support a defence of ‘realism-proper’. It concludes by gesturing towards an answer in the negative, but which defends Sartre’s choice not to isolate metaphysics from politics in his later work.
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Sam McAuliffe - ‘The Improvisational Encounter: What is Common to Music and Hermeneutic-Phenomenology’
Adriano Lotito - ‘Tran Duc Thao between Phenomenology and Marxism’
Maria-Nefeli Panetsos - ‘Dancing Phenomenology: A New Source of Non-Verbal Knowledge’
Pablo Fernandez Velasco - ‘Evenki wandering and situationist wandering’
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Joel Krueger - ‘Taking Watsuji online: aidagara and expression in the techno-social niche’
Juan Toro - ‘The Ecological-Enactive Model of Disability: Why disability does not entail pathological embodiment’
Ellen Moysan - ‘Phenomenological Description of the Notion of Inner Song: Doing Phenomenology to Understand Music Practice’
Bence Peter Marosan - ‘Engaged Eco-phenomenology. An Eco-socialist stance based upon a phenomenological account of narrative identity’
Belinda Marshal - ‘Being-in-the-Virtual-World’
D. R. Koukal - ‘Teaching Phenomenology as a Heuristic Tool in Architectural Design’
Sadaf Soloukey - ‘Phenomenological Embodiment in Patients with Spinal Cord Injury Receiving Neural Implants’
Michael Fitzgerald - ‘Phenomenological interpretations of patient engagement in research’
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