In the 2017/18 season, Wigmore Hall’s Haydn String Quartet Series showcases the full range of the composer’s invention, from the early Op. 20s to his late masterworks of the 1790s.
In this two-part podcast, David Owen Norris explores the great craft of Haydn’s compositions and finds out from special guest Oliver Heath (first violinist of the Heath Quartet) what it’s like to play them.
Women of Wigmore
András Schiff Beethoven Lecture Recitals: 33: Piano Sonata in C minor Op. 111
András Schiff Beethoven Lecture Recitals: 32: Piano Sonata in A-flat major Op. 110
András Schiff Beethoven Lecture Recitals: 31: Piano Sonata in E major Op. 109
András Schiff Beethoven Lecture Recitals: 30: Piano Sonata in B-flat major Op. 106 ’Hammerklavier’ (continued)
András Schiff Beethoven Lecture Recitals: 29: Piano Sonata in B-flat major Op. 106 ’Hammerklavier’
András Schiff Beethoven Lecture Recitals: 28: Piano Sonata in A major Op. 101
András Schiff Beethoven Lecture Recitals: 27: Piano Sonata in E minor Op. 90
András Schiff Beethoven Lecture Recitals: 26: Piano Sonata in E-flat major Op. 81a ’Les Adieux’
András Schiff Beethoven Lecture Recitals: 25: Piano Sonata in G major Op. 79
András Schiff Beethoven Lecture Recitals: 24: Piano Sonata in F-sharp major Op. 78
András Schiff Beethoven Lecture Recitals: 23: Piano Sonata in F minor Op. 57 ’Appassionata’
András Schiff Beethoven Lecture Recitals: 22: Piano Sonata in F major Op. 54
András Schiff Beethoven Lecture Recitals: 21: Piano sonata in C major Op. 53 ’Waldstein’
András Schiff Beethoven Lecture Recitals: 20: Piano sonata in E-flat major Op. 31 No. 3
András Schiff Beethoven Lecture Recitals: 19: Piano sonata in D minor Op. 31 No. 2 ’Tempest’
András Schiff Beethoven Lecture Recitals: 18: Piano sonata in G major Op. 31 No. 1
András Schiff Beethoven Lecture Recitals: 17: Piano sonata in D major Op. 28 ’Pastoral’
András Schiff Beethoven Lecture Recitals: 16: Piano sonata in C-sharp minor Op. 27 No. 2 ’Moonlight’
András Schiff Beethoven Lecture Recitals: 15: Piano sonata in E-flat major Op. 27 No. 1
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