疲惫娇娃 CyberPink

078 | 刘玉玲新片：优绩主义东亚家庭里，残障没有退路吗？ 'Rosemead', 'Take me home', and telling stories about caregiving

【聊了什么The What】 小杨、小蓝与友台残言片语主播八如一起聊了两部关于残障与照护的电影：刘玉玲主演的《柔似蜜》(Rosemead) 与圣丹斯今年新出的口碑佳作《带我回家》(Take Me Home)。 讲述残障者的故事，很难绕过照护者的故事，也很容易陷入苦大仇深的叙事漩涡；毕竟社会给残障者的资源那么少，而在资源的匮乏中能讲出的故事常常是《柔似蜜》中描绘出的毁灭性的绝路。而《带我回家》则通过一种模糊虚构与真实的即兴手段，让残障演员在故事中展现全新的创作方式。或许这种匮乏并不是必须的，或许优绩主义的亚裔家庭不一定要把残障视为绝路，或许电影人能给出的激进的想象能够推动我们重塑现实，毕竟生而为人我们终将是脆弱的。 In this episode we are joined by Baru from our friend at 残言片语 to discuss two films about disability and caregiving: Rosemead, starring Lucy Liu, and Take Me Home, a critically acclaimed new Sundance film. When telling stories about disabled people, it is hard to avoid telling the stories of caregivers as well. It is also easy to fall into a heavy, tragic narrative spiral. After all, society offers so few resources to disabled people, and from within that scarcity, the kinds of stories that emerge often look like the devastating dead end portrayed in Rosemead. Take Me Home, by contrast, uses an improvisational approach that blurs fiction and reality, allowing disabled actors to reveal a wholly different creative mode within the film itself. Perhaps this scarcity is not inevitable. Perhaps, in high-achieving Asian families, disability does not have to be treated as a dead end. Perhaps the radical imagination offered by filmmakers can help us reshape reality—because as human beings, we are all ultimately fragile. 【时间轴 The When】 00:00 - 两部电影的初观感 08:11 - 《柔似蜜》：真实的悲剧还是缺乏想象力的“绝路” 19:01 - 《待我回家》中的姐姐角色：拒绝牺牲自我，寻找更长久的方案 31:01 - 《待我回家》的激进结局 36:39 - 导演 Liz Sargent 谈“激进的想象力”(Radical Imagination) 45:53 - 电影工业能够多大程度上支持残障演员 55:31 - 心理健康与精神健康在政策支持上的滞后性 59:11 - 亚裔社区的“家丑”观与优绩主义 71:14 - 人类本来就是脆弱的 00:00 – First impressions of the two films 08:11 – Rosemead: a true tragedy, or a “dead end” shaped by a failure of imagination 19:01 – The sister character in Take Me Home: refusing self-sacrifice and searching for a more sustainable path 31:01 – The radical ending of Take Me Home 36:39 – Director Liz Sargent on “radical imagination” 45:53 – To what extent the film industry can support disabled actors 55:31 – The lag in policy support for mental and psychological health 59:11 – The Asian community’s view of “family shame” and meritocracy 71:14 – Human beings are fragile to begin with 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

077 | Vibe Shift 三部曲：匮乏时代的流行文化 Popular culture in the age of scarcity

【百花新闻信 Baihua Newsletter】 百花 Baihua Newsletter 正式上线了。也希望疲惫娇娃的听众们去订阅这个新闻信。 如果你一直在听《疲惫娇娃》《美轮美换》，或者来过我们的读书会、线下活动，你其实已经在百花的世界里了。只是现在，我们想把这个世界更系统、更持续地建起来。我们想记录中文播客圈正在发生什么，记录中国互联网的公共讨论空间，也记录这一代数字原住民华语创作者如何在"平行互联网"之间生存、创造、发声，这个新闻信是双语的，我们几个女的和其他百花成员会轮流写作。 请点击这里订阅：https://baihua.substack.com/ 如果打不开这个链接，请用以下问卷留下你的邮箱账号：https://wj.qq.com/s2/25773709/59ax/ Baihua Newsletter has officially launched. We warmly invite listeners of CyberPink to subscribe. If you’ve been listening to CyberPink or Mei Lun Mei Huan, or have joined our book clubs and offline events, you’ve already been part of the Baihua world. Now, we want to build that world in a more systematic and sustainable way. Through Baihua, we aim to document what’s happening in the Chinese-language podcast sphere, trace the evolving public discourse on the Chinese internet, and explore how a generation of digital-native Chinese creators are surviving, creating, and speaking across what we call “parallel internets.” The newsletter is bilingual. We — along with other Baihua contributors — will take turns writing. Subscribe here: https://baihua.substack.com/ If you can't open the URL above, leave your email address here: https://wj.qq.com/s2/25773709/59ax/ 【聊了什么The What】 这期节目是vibe shift三部曲的最后一集——在酝酿了很久以后，我们终于找到了一个适合开启的角度——“匮乏”。这里的匮乏不仅仅指经济指标上的衰退（如好莱坞罢工、票房崩溃、生活成本危机），更指向一种集体心理状态：对美好未来的想象力丧失了。 当“信心”消失，欲望就变成了苦涩的愤怒和嘲讽。我们聊到了韩国电影中为了生存系统性谋杀竞争对手的失业男主，聊到了好莱坞自由主义叙事的全面崩塌，以及 Gen Z 为何不再相信《哈利·波特》式的英雄主义。在这样一个极化、原子化、被算法裹挟的时代，我们该如何寻找解药？答案或许在于做一些“低效”但具体的事情，比如给邻居送菜，比如慢慢地讲一个故事。 This episode is the final installment of our “Vibe Shift” trilogy. After circling the theme for a long time, we finally found the right entry point: scarcity. Scarcity here doesn’t only refer to economic downturns — Hollywood strikes, collapsing box office numbers, or the cost-of-living crisis. It points to something deeper: a collective psychological state in which the imagination of a better future has eroded. When confidence disappears, desire curdles into resentment, sarcasm, and anger. We talk about a Korean film in which an unemployed man systemically eliminates his competitors just to survive. We discuss the collapse of Hollywood’s liberal narrative framework. We explore why Gen Z no longer believes in Harry Potter–style heroism. In an era defined by polarization, atomization, and algorithmic manipulation, how do we find an antidote? Perhaps the answer lies in doing things that feel inefficient but concrete — bringing vegetables to a neighbor, telling a story slowly and carefully. 【时间轴 The When】 00:00 什么是“匮乏感”？它不只是缺钱，而是对未来失去信心。当希望消失，欲望会转化为愤怒和犬儒。 05:30 从《无路可逃》和《爱丁顿》说起。当资源紧缩，他人变成路障。传统“供养者”男性叙事在现代系统中崩塌。 12:11 自由主义叙事开始失效。观众厌倦好莱坞的说教，《The Studio》揭示的是文化工业的瘫痪与精英脱节。 23:36 代际断裂。为什么 Gen Z 对《哈利波特》那种九十年代式的乐观主义越来越无感，Gen Z 成长于极化与停滞之中，不再相信善恶分明的世界。 36:00 我们开始怀旧：布拉德·皮特和《F1》是一个典型例子，电影构建了一个没有政治争议、只有输赢规则的世界。传统男性气概重新被召唤。你爹还是你爹。这种叙事满足了人们对确定性的渴望，也提供了一种逃避复杂现实的方式。 47:50 性别角色回潮。《爱情盲选》和 tradwife 现象反映了在极化时代中对安全感的表演式追寻。 55: 50 AI 并未带来连接，反而放大分裂，我们开始怀疑“科技救世”的神话。《神奇四侠》中的技术乐观主义不复存在。 1:23:30 西方社会 生活成本危机加剧匮乏感。算法利用焦虑制造争吵，社交网络赛博巴尔干化是什么？ 1:35:30 结语 拒绝犬儒，从具体行动开始。真实的连接或许是对抗虚无的唯一方式。 00:00 What is “scarcity”? It’s not just financial lack, but a loss of faith in the future. When hope disappears, desire turns into anger and cynicism. 05:30 We begin with No Other Choice and Eddington. As resources shrink, other people become obstacles. The traditional male “provider” narrative collapses within the modern system. 12:11 The liberal narrative loses its grip. Audiences are exhausted by Hollywood moralizing. The Studio exposes paralysis within the cultural industry and its detachment from ordinary life. 23:36 A generational rupture. Why Gen Z no longer connects with 1990s optimism like Harry Potter. Raised amid polarization and stagnation, they no longer believe in a morally clear world. 36:00 We turn to nostalgia. Brad Pitt and F1 serve as a key example. The film constructs a world without political conflict — only winners and losers. Traditional masculinity is revived. “Daddy is still daddy.” It satisfies a longing for certainty and offers escape from complexity. 47:50 The return of gender roles. Love Is Blind and the tradwife phenomenon reflect a performative search for safety in a polarized age. 55:50 AI did not bring connection; it amplified division. We begin to question the myth of technological salvation. The technological optimism of Fantastic Four no longer holds. 1:23:30 The Western cost-of-living crisis deepens scarcity. Algorithms exploit anxiety and manufacture endless conflict. What does cyber-Balkanization of social networks mean? 1:35:30 Conclusion. Reject cynicism and begin with concrete action. Real human connection may be the only antidote to nihilism. 【拓展链接 The Links】 阿花： Beyond the Machine: Creative agency in the AI landscape Personal canon by Celine Nguyen Remaking Liberalism: The Past, Present, and Future of Freedom by Daron Acemoglu and Simon Johnson 配图：从1998年开始的价格变化 影视/剧集： 电影《无路可逃》(No Other Choice / The AX) 电影《爱丁顿》(Eddington) 电影《F1》 电影《神奇四侠》(Fantastic 4) 剧集《The Studio》 真人秀《爱情盲选》(Love is Blind) 剧集《Abbott Elementary》 书籍/人物/概念： Daron Acemoglu (经济学家) Hanif Abdurraqib (作家/诗人) Tradwife (传统家庭主妇风潮) Cyber-Balkanization (赛博巴尔干化) Identity Politics (身份政治) 【疲惫红书 CyberRed】 除了播客以外，疲惫娇娃的几个女的在小红书上开了官方账号，我们会不定期发布【疲惫在读】、【疲惫在看】、【疲惫旅行】、【疲惫Vlog】等等更加轻盈、好玩、实验性质的内容。如果你想知道除了播客以外我们在关注什么，快来小红书评论区和我们互动。 Apart from the podcast, we have set up an official account on Xiaohongshu. We will periodically post content such as “CyberPink Reading,” “CyberPink Watching,” “CyberPink Traveling,” “CyberPink Vlog,” and more. Those are lighter, more fun and more experimental stuff about our lives. Leave us some comments on Xiaohongshu! 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

076 | 冬季氛围检查：2025年度盘点之可以可以我不行了 2025 Annual Review

感谢金主妈妈Tims咖啡机！ 点击专属购买链接 【聊了什么The What】 实在是不好解释，把图放在这里大家自己体会吧。 IYKYK 【时间轴 The When】 01:32 - 重大发现——12月末是星期天晚上（虽然发节目的时间已经到了一月底，请别介意） 05:43 - 年度总结框架 06:58 - 卧槽：政治极化坟墓上跳舞的Eddington 9:56 - 我操我不行了：A Simple Accident 11:22 - 可以可以：电影Sorry Baby 15:29 - 可以可以：在西湖喝茶 22:33 - 我不行了：日语学不下去 26:15 - 我不行了：补课罗马史 35:24 - 卧槽我不行了：韩娱饭圈 40:28 - 卧槽我不行了：那不勒斯四部曲 43:46 - 卧槽可以可以：今年看过的一些非虚构 45:38 - 我操我不行了可以可以：戛纳电影节 47:38 - 我不行了可以可以：2025 年看山河故人别有风味 54:58 - 我操我不行了可以可以：Chichu Art Museum和James Turrell的艺术 66:22 - 我操我不行了可以可以：简中“反清复明”阴谋论宇宙 68:25 - 我操我不行了可以可以：西非舞 75:44 - 我操我不行了可以可以：医疗剧 The Pitt 01:32 – Major discovery: late December feels like Sunday night (even though the episode drops in late January—please don’t mind us) 05:43 – Year-end recap framework 06:58 – Holy Shit: Eddington — dancing on the grave of political polarization 09:56 – I can’t with this: A Simple Accident 11:22 – Okay okay okay: Sorry Baby 15:29 – Okay okay okay: drinking tea at West Lake 22:33 – I can’t with this: Japanese is no longer happening 26:15 – I can’t with this: crash-course on Roman history 35:24 – Holy Shit, I can’t with this: K-pop fandom culture 40:28 – Holy Shit, I can’t with this: The Neapolitan Novels (the four-book series) 43:46 – Holy Shit, okay okay okay: some nonfiction reads from this year 45:38 – Holy Shit, I can’t with this, okay okay okay: Cannes Film Festival 47:38 – I can’t with this, okay okay okay: watching Mountains May Depart in 2025 hits differently 54:58 – Holy Shit, I can’t with this, okay okay okay: Chichu Art Museum & the art of James Turrell 66:22 – Holy Shit, I can’t with this, okay okay okay: the Simplified-Chinese internet’s “Restore the Ming Dynasty” conspiracy universe 68:25 – Holy Shit, I can’t with this, okay okay okay: West African dance 75:44 – Holy Shit, I can’t with this, okay okay okay: the medical drama The Pitt 【拓展链接】 小杨 Sorry Baby It’s just an accident The Pitt 小蓝 Ulysses Everyday is for the thief Intermezzo 那不勒斯四部曲 Ailey Studios的西非舞传奇老师 一芳 Strike, Labor Unions, and Resistance in the Roman Empire Careless People MCU: The Reign of Marvel Studios 阿花 西方文化的传统与演进 Rome Cleopatra 万历十五年 山河故人 🎉【听众专属福利】 感谢金主妈妈Tims咖啡机！ 一机三用：胶囊 / 意式 / 美式自由切换，工作日效率 & 周末仪式感全拿下 18 秒速热 + 1 分钟出杯：告别排队，随时来杯好咖啡 专业级萃取：预浸泡＋精准控温，油脂更厚、风味更稳 小巧便携：露营、办公室都合适 充插两用 ：续航久，静音安全，用得安心 无论自用还是过年过节送给爱咖啡的朋友入门，都是非常实用的选择。现在领取节目专属优惠，还能额外叠加平台优惠和限时国补福利，到手更划算，店内下单还送咖啡分仓、胶囊仓、压粉勺以及送Tims门店同款咖啡胶囊！ 点击进入专属购买链接： 淘宝：https://mo.m.tmall.com/page/36896811?shop_id=514425481&item_id=964840038255 京东：https://pro.m.jd.com/mall/active/fo1WF7YzJTMBkifnugBJKS4J9se/index.html 复制淘口令：77￥LFTnU7rWjpb￥ / MF937 淘宝搜索：“TimHortons〞 找到【TimHortons小家电旗舰店】向客服报暗号“疲惫娇娃“即可获得专属链接！ 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022 Support on Patreon | 爱发电上赞助

075 | 「哈姆内特」：我们这一代有自己的莎士比亚 Is Hamnet Shakespeare for Millennials

【聊了什么The What】 小杨、小蓝与友台残言片语主播八如一起聊了两部关于残障与照护的电影：刘玉玲主演的《罗丝密》(Rosemead) 与圣丹斯今年新出的口碑佳作《带我回家》(Take Me Home)。 讲述残障者的故事，很难绕过照护者的故事，也很容易陷入苦大仇深的叙事漩涡；毕竟社会给残障者的资源那么少，而在资源的匮乏中能讲出的故事常常是《罗丝密》中描绘出的毁灭性的绝路。而《带我回家》则通过一种模糊虚构与真实的即兴手段，让残障演员在故事中展现全新的创作方式。或许这种匮乏并不是必须的，或许优绩主义的亚裔家庭不一定要把残障视为绝路，或许电影人能给出的激进的想象能够推动我们重塑现实，毕竟生而为人我们终将是脆弱的。 In this episode we are joined by Baru from our friend at 残言片语 to discuss two films about disability and caregiving: Rosemead, starring Lucy Liu, and Take Me Home, a critically acclaimed new Sundance film. When telling stories about disabled people, it is hard to avoid telling the stories of caregivers as well. It is also easy to fall into a heavy, tragic narrative spiral. After all, society offers so few resources to disabled people, and from within that scarcity, the kinds of stories that emerge often look like the devastating dead end portrayed in Rosemead. Take Me Home, by contrast, uses an improvisational approach that blurs fiction and reality, allowing disabled actors to reveal a wholly different creative mode within the film itself. Perhaps this scarcity is not inevitable. Perhaps, in high-achieving Asian families, disability does not have to be treated as a dead end. Perhaps the radical imagination offered by filmmakers can help us reshape reality—because as human beings, we are all ultimately fragile. 【时间轴 The When】 00:00 - 两部电影的初观感 08:11 - 《柔似蜜》：真实的悲剧还是缺乏想象力的“绝路” 19:01 - 《待我回家》中的姐姐角色：拒绝牺牲自我，寻找更长久的方案 31:01 - 《待我回家》的激进结局 36:39 - 导演 Liz Sargent 谈“激进的想象力”(Radical Imagination) 45:53 - 电影工业能够多大程度上支持残障演员 55:31 - 心理健康与精神健康在政策支持上的滞后性 59:11 - 亚裔社区的“家丑”观与优绩主义 71:14 - 人类本来就是脆弱的 00:00 – First impressions of the two films 08:11 – Rosemead: a true tragedy, or a “dead end” shaped by a failure of imagination 19:01 – The sister character in Take Me Home: refusing self-sacrifice and searching for a more sustainable path 31:01 – The radical ending of Take Me Home 36:39 – Director Liz Sargent on “radical imagination” 45:53 – To what extent the film industry can support disabled actors 55:31 – The lag in policy support for mental and psychological health 59:11 – The Asian community’s view of “family shame” and meritocracy 71:14 – Human beings are fragile to begin with 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

074 | 「一战再战」：告别宏大叙事，拥抱日常英雄 Beyond Grand Narratives, Toward Everyday Heroes

【聊了什么The What】 本期节目，我们与哲学家袁源、友台美轮美换主播Lokin一同过度解读了保罗·托马斯·安德森（Paul Thomas Anderson）很有嚼劲的新作《一战再战》。这部电影是让小杨“撇着嘴进去，真香着出来”的年度惊喜，也是袁源觉得十分“就这”的陈词滥调。我们从加缪的《反叛者》出发，探讨暴力革命的伦理困境：当“妇人之仁”成为罪行，对抽象理念的狂热是否必然以牺牲具体的人为代价？Perfidia是一个挑战观众道德底线的反英雄，还是一位被男性凝视和刻板印象所困的复杂女性？Perfidia式的、为“爽”而战的景观式革命的反面，是否是Sensei式的、根植于邻里互助的日常英雄主义？ For this episode, we invited philosopher Yuan Yuan and Lokin to join us in over-interpreting Paul Thomas Anderson’s chewy new film One Battle After Another. It’s a movie that some of us walked into with doubts and walked out of utterly charmed, while others find it to be a thoroughly “meh” bundle of clichés. Starting from Camus’s The Rebel, we dig into the ethical dilemmas of revolutionary violence: when “womanly compassion” becomes a crime, does fervor for an abstract ideal inevitably demand the sacrifice of concrete human lives? Is Perfidia a boundary-pushing anti-hero who defies our moral expectations, or a complex woman trapped within male gaze and stereotype? And if Perfidia’s spectacle-driven, pleasure-forward revolution is one end of the spectrum, is its opposite the Sensei style—an everyday heroism grounded in neighborly mutual aid? 【时间轴 The When】 00:00 电影《一战再战》剧情速览和第一印象 10:23 为何将60年代的革命美学平移到2008年让人“不买账”？ 22:34 暴力革命的道德思辨：电影中的革命行动是否满足“正义的目标”、“必要性”与“相称性”？ 31:33 Perfidia是刻板印象还是反英雄？ 54:12 Willa打破父辈创伤的循环了吗？ 58:03 “非盈利蛇头”Sensei和日常的英雄主义 67:07 对白人至上主义的辛辣讽刺 78:47 结局：这也能大团圆 00:00 Quick plot recap of One Battle After Another and our initial reactions 10:23 Why does transplanting 1960s revolutionary aesthetics into 2008 feel so unconvincing? 22:34 Moral reasoning around violent revolution: do the film’s actions satisfy “just cause,” “necessity,” and “proportionality”? 31:33 Perfidia: sexualized or anti-hero? 54:12 Does Willa break the cycle of her parents’ trauma? 58:03 The “non-profit coyote” Sensei and the quiet heroism of the everyday 67:07 A sharp satire of white supremacism 78:47 The ending: …so this counts as a happy ending? 【拓展链接 The Links】 Liberalism in Dark Times: The Liberal Ethos in the Twentieth Century The Rebel: An Essay on Man in Revolt Vineland 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022