Every Single Sci-Fi Film Ever*

Destroy All Monsters 1968: Godzilla's Kaiju in Combat

Translation for Intro: "Fire Dragon can reduce Tokyo to ashes in just a few hours." Godzilla ROARS. "It's Godzilla!" As always there are spoilers ahead! You can follow the podcast on social media on Threads, Instagram and Bluesky. If you have like to wear a monocle and talk about fancy artisan cheeses maybe you would like to be a patron of the podcast? Luckily neither of those things are a requirement! You can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm If you are interested in the plot of the film you can read an overview on the wikipedia page here. Correction: In the intro I say Japanese Air Base when I mean Japanese Moon Base. Welcome to the podcast! TIME FOR PANIC TO ENSUE!!! We are in 1968! It's finally here! Am I ready for the 2001: A Space Odyssey? No, I am not! But I'm getting there. Please bear with me. In the meantime, I shall distract you with a chat about one of the most visually delightful of Kaiju Films (Although one of our guests' recommendations may have it beat in visual delights). You can see an array of the stills from Destroy All Monsters on my Instagram account. This is the swinging 60s Japan style! In 1968 ToHo studios decided to wrap up the Godzilla Franchise with a big bang! A Kaiju extravaganza featuring 11 monsters. Let me list them for you. Godzilla Rodan Angurius Mothra (very tragically in larva form) Gorosaurus Minilla (Godzilla's son who gives me the creeps. Sorry!) Kumonga Baragon Manda Varan King Ghidorah Due to international success the franchise continued on. Hoorah! I have two gargantuan guests for you. (They actually are, as far as I am aware, human sized although I have no proof.) Yuki Miyamoto is Professor of Religious Studies and Director of the Humanities Center at DePaul University. Her work focuses on the ethics around nuclear discourse. Blair Davis is a Professor of Media and Cinema Studies at DePaul University. He has written a lot about cinema and comics and including the book The Battle for the Bs: 1950s Hollywood and the Rebirth of Low-Budget Cinema. Chapters 00:00 Introduction 01:33 Sci-Fi films from 1950s to 1968 03:14 Comparison to Godzilla 1954 05:23 1960s Japan 08:49 Blair's love of the film 09:59 The intentions behind the film 11:14 The 'Monster Rally' tradition 13:53 Visual delights 14:36 The first 10 minutes 18:22 The island connections 21:14 The Showa Era and Japan on the global stage 24:49 Aliens! The Kilaaks 29:38 The Izu Peninsula and Shogun 30:16 The Kaijus 40:17 The final battle 43:12 A changing Godzilla 46:52 Legacy 49:26 Recommendations Recommendations: Godzilla vs. Hedorah (1971) Godzilla in Hell by James Stokoe NEXT EPISODE! Next episode (if all goes well) we will be talking about the Je t'aime, je t'aime (1968) which is available on BFI player in the UK (which is accessible through Apple TV) but seems very elusive elsewhere. There is a version on YouTube but it is in French. The English title (I Love You, I Love You) did not seem to help. The BluRay is also available but for slightly silly prices outside of the UK from what I can see. I wish you luck in finding it!

Sci-fi & Architecture: Visions of the Future

There are spoilers ahead! For many films I'm afraid. I would especially avoid the episode until you have watched Ex-Machina (which you really really should immediately it really is phenomenal) as Jes does talk directly about the ending between 53:23 till 53:46. I have made a list of the films and books mentioned below. This is another detour episode and perhaps you're thinking I'm trying to avoid the very big task of recording 2001: A Space Odyssey content. And perhaps you're right. But I hope you enjoy this discussion. If you try to think of a futuristic city your mind may be drawn towards a real place but it could just as easily be drawn towards the great science fiction films that render our future on our screens. Films like Blade Runner, Minority Report, Fifth Element and (the granddaddy) Metropolis have all shown us what human futures could look like. Sometimes these visions are intimidating, terrifying or occausionally aspirational. These images in turn can affect and inform own understanding of what an unwritten future should be like. I have two wonderful guests to talk through the somewhat symbiotic relationship of science fiction and architecture Amy Brookes is an architect and an Associate Professor at the University of Reading. She has written extensively about architecture and one of her special interests is Architecture in science fiction literature and film. Jes Deaver is an award-winning architect as well as a filmmaker and writer. She is the author of the article The Architecture of Imagination which explores the parallels between science fiction and architecture. Chapters 00:00 Introduction 01:32 The SF-Architecture connection 06:40 How the symbolism of the tower changes 14:38 Anxieties in architecture 17:00 The reciprocal relationship 27:10 Fears of suburbia 30:27 Non place and virtual space 33:43 Apocalyptic futures 40:02 Hopeful alternatives 49:04 Favourite architectural sci-fi films 53:46 Recommendations Recommendations: And He Built a Crooked House by Robert Heinlein Octavia's Brood: Science Fiction Stories from Social Justice Movements Films mentioned in the episode: Metropolis (1927) Blade Runner (1982) Minority Report (2002) Chappie (2015) District 9 (2009) Attack the Block (2011) Fifth Element (1997) Just Imagine (1930) Gagarine (2020) Atlantics (2019) Tommorowland (2015) Truman Show (1998) Stepford Wives (1975) Edward Scissorhands (1990) Soylent Green (1973) Don't Look Up (2021) Children of Men (2006) Snowpiercer (2013) Hunger Games (2012) Robocop (1987) Nation Estate (2012) Silent Running (1972) High Rise (2015) Ex Machina (2014) Books mentioned: Rem Koolhaas (Remment Lucas Koolhaas) is a Dutch Architect and author of the book Delirious New York published in 1978. Ready Player One by Ernest Kline. (Made into a film by Steven Speilberg in 2018) Every Version of You by Grace Chan. Artificial Wisdom by Thomas R Weaver. Everything for Everyone: An Oral History of the New York Commune, 2052-2072 by Eman Abdelhadi and M. E. O'Brien Mouldiness Manifesto by Friedensreich Hundretwasser TV Shows mentioned: Westworld Andor Other links of interest: A page from Mark Bould's website about the city: https://markbould.com/tag/paul-verhoeven/ '5 Minute Modern' YouTube video about Brutalism: https://www.youtube.com/watch?v=ib82VYtjFtY An interesting article about Fritz Lang's depiction of the future city The German Take on Gotham: https://jacobin.com/2025/12/the-german-take-on-gotham NEXT EPISODE! The next episode will be about Destroy All Monsters which features lots of Kaiju, a Japanese Moonbase, evil aliens who look like beautiful women and groovy 60s outfits. You can rent the film on Apple TV (at least in the UK) but take a look at Just Watch and Rotten Tomatoes to see where the film is showing in your region. DVDs and Blurays of the film are also available for relatively reasonable prices.

Quatermass: Nigel Kneale, Hammer and Mid-Century Britain

There is a longer version of the podcast available which includes more tangential topics on Patreon for paid subscribers or for a $3 or £3 fee! The long version is just under one hour and twenty-five minutes. If you would like to become a Patreon patron and get all the podcast episodes ad free (as well as the longer edit) you can do that on: https://www.patreon.com/everyscififilm As always there are spoilers ahead! You can follow the podcast on social media on Threads, Instagram and Bluesky. As mentioned on the podcast here is an outline of the Quatermass offerings: FILM 1955: The Quatermass Xperiment AKA The Creeping Unknown (dir, Val Guest) 1957: Quatermass 2 AKA Enemy from Space (dir. Val Guest) 1967: Quatermass & the Pit AKA Five Million Years to Earth (dir. Roy Ward Baker) 1979 The Quatermass Conclusion (recut from TV series, dir. Piers Haggard) 2005 The Quatermass Experiment (Live TV movie, dir. Sam Miller) Radio 1996: The Quatermass Memoirs TV Series 1953: The Quatermass Experiment 1955: Quatermass II 1958-59 Quatermass and the Pit 1979 Quatermass (AKA Quatermass IV or The Quatermass Conclusion) 2005 The Quatermass Experiment (Live) Professor Bernard Quatermass was created by British superstar screenwriter Nigel Kneale and aired on the BBC in 1953. The TV series went on to great popularity and Hammer Films eventually came knocking for film rights. Nigel Kneale did not have any rights over the character due to being a staff writer at the time but would eventually go on to international fame especially in sci-fi and horror circles with John Carpenter (amongst others) being a vocal fan. Despite all this many people have not heard of Quatermass. Although there have been many attempts to revive the franchise none have come to fruition. But that won't stop me seeking out two of the best academics to talk excitedly about their passion for this early TV sci-fi pioneer. Mark Bould is a professor of Film and Literature at the University of West England, Bristol. He has written/edited extensively about science fiction cinema. Matthew Rule-Jones is a senior lecturer in film studies at the University of Exeter. A doctor of science fiction who likes to write about cinema including the book Science Fiction Cinema and 1950s Britain: Recontextualising Cultural Anxiety. Chapters 00:00 Introduction 02:24 Nigel Kneale 06:28 Rudolph Cartier and changes in TV 08:22 Hammer films and Quatermass 13:09 The many iterations of Quatermass 22:04 The traditional tinkering British scientist 26:47 From TV to Film 32:44 Quatermass 2 and the 1950s 41:30 Aliens! 48:58 Kneale and Victorian influences 52:21 Legacy 57:47 Recommendations Recommendations Sapphire & Steel (1979-1982, TV series) Event Horizon (1997) NEXT EPISODE! Next episode we take a break from science fiction films to talk to two experts about science fiction and architecture. Then we're heading into 1968 so wish me luck!

The Face of Another 1966: Scars & Identity in Post War Japan

Trigger warning: This discussion includes talk about sexual assault and sexual violence. This is a theme apparent in the film and the source material. It is mentioned a few times. The topic is not spoken about in detail, but I wanted to share a general trigger warning for those that would prefer to avoid the topic altogether. Subtitles for the intro: "It's not that I specialise in treating fingers. I'm a psychiatrist in fact. Inferiority complexes dig holes in the psyche, and I fill them in." As always, there are spoilers ahead! You can follow the podcast on social media on Threads, Instagram and Bluesky. If you have fancy pants and would like to be a patron of the podcast please do! You can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm If you are interested in the plot of the film you can read an overview on the wikipedia page here. In 1964 Director Hiroshi Teshigahara's film Woman in the Dunes won the Special Jury Prize at Cannes. The film was the second of four in which Teshigahara would collaborate with writer Kōbō Abe.* The Face of Another rode the coattails of Woman in the Dunes but was nowhere near as successful. Although both films have a very bleak undertone, The Face of Another feels more jarring and less abstract in its confrontations. The story is of a man horribly disfigured from an accident in the lab where he works. He manages to find a possible solution to the isolation and desperation he experiences when he is given the opportunity to have a new face with which to navigate life. The story has many philosophical themes set in a Japan that is still wrangling with its post war cultural identity. Thankfully I have managed to procure two big brained and generous guests! Roger Luckhurst is a Professor at Birkbeck, University of London. He has written/edited numerous articles and books on cultural history and film. Jennifer Coates is a Professor of Japanese Studies at the University of Sheffield. She has written extensively about Japanese cultural history and cinema and is the President of the British Association of Japanese Studies. During the intro to the show I mention a video essay that I watched during research for the film which I found very interesting. You can find it here: https://www.youtube.com/watch?v=yarOXWeZlzY Although this is not directly relevant to the film, one of the earliest shots is an x-ray of a skull in conversation. This is reminiscent of the very early 1996 film usually known as Macintyre's X-Ray Film. Just a small historical film curiosity which you might be interested in. You can find it here: https://www.youtube.com/watch?v=SqMYHawAKmA Chapters 00:00 Introduction 01:35 Source Material: Kobe Abe's book 06:33 Abe and Teshigahara's collaboration: Woman in the Dunes 07:38 Face Masks 10:55 The manufactured Japanese New Wave 14:31 Japan in the 1960s 19:39 Alienation and Philosophy 24:47 Boundaries and skin 26:17 Moral boundaries 30:52 The skin, Japan and saving face 34:14 Scarring and the bomb 41:05 Identity and Japan 47:40 Visual delights 52:46 Legacy 55:03 Face transplants 56:51 Recommendations Recommendations: When the Woman Ascends the Stairs (1960) Eyes without a Face (1960) Suture (1993) NEXT EPISODE! Next episode we will be having a giant sprawling chat about the scientist Bernard Quatermass. You can watch the three earlier Quatermass films, The Quatermass Xperiment (1955), Quatermass 2 (1957) and Quatermass and the Pit (1967) in all sorts of places including major streaming platforms. The series (if you want to get really nerdy about it) are available as a boxed set on Apple TV and from other retailers. At least some of those episodes are available on YouTube. The first season of the TV series (1953) only has a few episodes as the rest were lost forever!

Blade Runner: Paul Franklin's Favourite Sci-Fi Film

As always there are spoilers ahead! Blade Runner was not a huge hit in 1982 but it did gain a fair few fans on its initial release. One of those fans was a teenager from Cheshire by the name of Paul Franklin who would go on to work on numerous big budget films and win two Oscars for his work as a Special Effects Supervisor on Interstellar and Inception. I spoke to Paul about his first impressions of the film, what makes it special and how it influences Batman Begins and The Dark Knight Rises. Apologies for the abrupt ending to this episode. It is late, I've been quite busy and I have other work I really must tend to. Details of the next episode at the bottom of the show notes. You can follow the podcast on social media on Threads, Instagram and Bluesky. If you would like to support the podcast you can become a patron and for £3 or $3 a month you can get ad free versions of the show. https://www.patreon.com/everyscififilm Chapters 00:00 Intro 01:47 Paul's first impressions 07:11 Influences on Blade Runner 14:01 Syd Mead's design 17:52 A future without Blade Runner 21:28 PK Dick & Do Androids Dream of Electric Sheep 23:36 The plight of the androids 27:18 Deckard as replicant 32:01 Influence of Blade Runner on Paul's work 40:45 Vangelis 41:58 ET vs Blade Runner NEXT EPISODE! Next episode we will be discussing the rather striking and uncomfortable 1966 Japanese film The Face of Another. The film is available on Criterion Channel in the US and Canada and on YouTube. You can check the Just Watch website to see where the film is available in your region.