Origin Stories

Lizzy Goodman on Meet Me In the Bathroom

Lizzy Goodman is a longtime music journalist whose work has helped shape how the early-2000s indie rock era is understood and remembered. Over the past two decades, she’s written for Rolling Stone, Spin, New York Magazine, Nylon, and The New York Times Magazine, profiling artists from MIA to Conor Oberst to the Yeah Yeah Yeahs. She writes incisively about individual musicians and albums while situating them inside a larger cultural moment — part journalist, part historian. In this episode, she talks to Matthew about Meet Me in the Bathroom, her oral history of New York’s indie scene in the early 2000s, and the 2022 documentary inspired by the book. Goodman explains how she organized hundreds of interviews around events rather than timelines, treated New York City as the central character, and documented a scene where no one agrees on what actually happened. “It’s like filling out a crossword puzzle that’s moving,” she says. “I kind of built these individual narrative blocks and then you have to weave it all together.”In this episode, she talks to Matthew about Meet Me in the Bathroom, her oral history of New York’s indie scene in the early 2000s, and the 2022 documentary inspired by the book. Goodman explains how the project took shape voice by voice, why oral history was the only form that made sense for a scene with no single truth, and what it means to document a moment where memory, myth, and experience are constantly in conflict. “It’s like filling out a crossword puzzle that’s moving,” she says. “You’re building this narrative, and then you have to weave it all together.” To connect with the team and gain access to behind the scenes content, join our community at ⁠⁠joincampside.com⁠⁠. You can also find us on ⁠⁠Instagram⁠⁠, ⁠⁠TikTok⁠⁠ & ⁠⁠Youtube⁠⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Brad Lichtenstein on American Reckoning

Brad Lichtenstein is an Emmy- and Peabody-winning documentary filmmaker whose work has traced the human cost of American systems, from economic upheaval and gun violence to the ways history keeps resurfacing in the present. In this episode, he talks to Matthew about American Reckoning, his Frontline documentary about the 1967 car-bombing of civil rights activist Wharlest Jackson Sr. and the decades-long fight to understand why justice never came. Lichtenstein breaks down how the film’s extraordinary archival footage shaped the story from the start, what it took to earn the Jackson family’s trust, and the ethical decisions behind filming trauma without turning it into spectacle. He also reflects on collaboration, perspective, and what it means to make investigative work in an era when funding and time are running out. “You watch a lot,” he says. “And it’s just a big mess until it’s not anymore.”To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Alexis Coe on You Never Forget Your First

Alexis Coe is a historian, TV commentator, curator, and columnist whose work examines how power, myth, and repetition shape the way American history gets told. She is the author of the New York Times bestselling book You Never Forget Your First, a sharp, funny, and rigorously researched biography of George Washington that challenges centuries of received wisdom about America’s first president. In this episode, Coe talks to Matthew about how she discovered that no woman had written a full biography of Washington in more than forty years, why so many presidential histories have hardened into myth, and what happens when size and seriousness are mistaken for authority. She walks through her research process, her decision to focus on Washington off the battlefield, and the risks and rewards of writing history that refuses to sound reverent just because it’s old. “It tells me to trust myself creatively in the same way that I trust myself intellectually,” Coe says. “And that’s such a lovely feeling.”" To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tommy Andres on The Eye of the Fighter

Tommy Andres is an audio journalist whose work has spanned This American Life, CNN, and Marketplace, where he spent years as a senior producer. More recently, he’s focused on deeply reported, limited-run narratives, including Third Squad After Afghanistan, which was shortlisted for a National Magazine Award and won an Edward R. Murrow Award. He also served as executive producer on We Came to the Forest. In this episode, Andres talks to Matthew about The Eyes of the Fighter, a two-part story he hosted and produced for Sports Explains the World. It begins with a home invasion in the middle of the night and turns inward, as Andres tries to understand how Jermaine Thompson, a former wrestler and amateur MMA fighter, ended up inside his Atlanta home. The search takes him through wrestling gyms, MMA, and a spiral of addiction and pain. He also reflects on what it’s like to report on your own life, how body-camera footage challenged his memory of what happened, and the discomfort of turning someone else’s lowest moment into a story. “Did he fully know this was going to turn into a real thing? That’s a scary place to be,” Andres says. “Because you start asking yourself: did I help this guy or did I hurt this guy? The whole point of the piece is I’m rooting for him. And then you wonder if you just used him to get a story. That extractive feeling makes me uncomfortable.” To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.com. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Selwyn Seyfu Hinds on Washington Black

Selwyn Seyfu Hinds is a screenwriter, journalist, and creator whose work spans music, comics, and television. He was once the editor in chief of The Source, co-created the comic series Dominique Laveau: Voodoo Child, and has written for Jordan Peele’s The Twilight Zone. In this episode, he talks to Matthew about Washington Black, the Hulu adaptation of Esi Edugyan’s novel, developed in collaboration with Sterling K. Brown. He breaks down how the project came together, why he connected to Wash’s journey so personally, and how the show balances the brutality of slavery with a world driven by imagination, dreaming, and flight as a metaphor for hope. “Being a showrunner is as close as you can get to playing God,” he says. “It’s really you and the blank page and it’s Genesis and you’re like, ‘Let there be flying ships,’ right?” To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.