Planet Maynard

A Very Maynard Xmas 2025 – audio version

The audio from A Very Maynard Xmas 2025 for those that find all of my suits are a bit hard on your eyes.. A Very Maynard Xmas 2025 brings you the unexpected festive farce that you’ve come to expect from someone who has inflatable legs for a window.Low budget has been swapped out for no budget this year as a Xanadu-themed Xmas special brings you the talents of Leslie Fountain (Glenn Keenan), Fat Elvis (Chris Kelly, Ship-o’-Fools) and Olivia Cardboard-John on the Maynard International Studios Mainstage, as well as greetings from around the world and around Tony Push (whose new teeth are a feature this year), plus more impractical outfits and the wonders of Magpie TV. Maynard with Xanadu album. Mari Wilson driving her christmas ute. Watch A Very Maynard Xmas 2024 Video – A Very Maynard Xmas 2025 The post A Very Maynard Xmas 2025 – audio version appeared first on Planet Maynard.

Brigitte Handley CyberNation

Brigitte Handley has a new release out, as well an EP of vinyl featuring unreleased Dark Shadows live tracks. In between all her German shenanigans she’s been recording again and pondering the evil sound that is autotune. Time to talk about that ominous looking splatter vinyl pressing, the implications of releasing music on cassette tape and who the hell presses 7″ picture singles. We meet at the scenic Madame Frou Frou Cafe to discuss Brigitte’s new releases and the implications of recording acoustic guitar in the same room as Shirley Bassey’s vocals. So have a coffee and pull up a Cher. Main photo by Mark Gowecke. Brigitte Handley on BandcampBrigitte Handley on Youtube Showing off the coloured splatter vinyl release from The Dark Shadows. Cover of CyberNation release from Brigitte Handley. Just look at her peplum. The last time we had coffee Revelations so surprising, I’ve turned black and white with shock. The post Brigitte Handley CyberNation appeared first on Planet Maynard.

Tim Ferguson told you so!

We catch up with the legend Tim Ferguson. Unsurprisingly he has a lot to say in just 12 minutes. Hear his predictive powers for the last 9 Federal elections, why improvisational comedy has to go and the importance of an Australian pope. Tim is running his monthly stand up comedy night at The Harold Park Hotel in Glebe, as well as creating his artworks and generally telling people how to be funnier. Drop in on our brief Conclave of Comedy. Drop in on Tim’s site Harold Park Hotel Random Bunga Bunga episode Maynard and Tim Ferguson The post Tim Ferguson told you so! appeared first on Planet Maynard.

Australia’s Coldest 100 – 2025

Australia’s Coldest 100 returns for 2025 this Saturday 25th January with @ozkitsch presenting 100 tunes you won’t find easily anywhere on any continent. Just look at this list of artists that Andrew Sholl has curated that you’ll never again see in the same room. This is Andrew’s eighth Coldest 100 and he doesn’t see Farnham clips running out anytime soon. The 2025 Coldest 100 brings you Sophie Monk, Des O’Connor, Shirley Bassey, Charo, Johnathon Coleman and a singing chicken. That’s just for starters. Don’t like it? Then there is a rough end of a banana for you. After all, anyone can put together a list of the latest hottest tracks. It takes a certain kind of expert like Andrew Sholl to put together 100 songs of Australian musical shock for 8 years in a row now. “Things don’t always turn out the way they were intended…” Andrew Sholl It will all be going down on Saturday 25th January on X and Instagram @Ozkitsch Andrew Sholl shows no sign of ever stopping his annual festival of Aussie awkwardness. . Look and listen to The Coldest 100 2020 Look and listen to The Coldest 100 2021 Maynard plays you some video clips from The Coldest 100 2022 Maynard plays you some video clips from The Coldest 100 2023 Maynard plays you yet more video clips from The Coldest 100 2024 Johnathan Coleman sings the Aussie classics on Sounds. Des O’Connor with Reeves & Mortimer (and their frypan) Australia’s Coldest 100, 2025. What a bunch of spunks! The post Australia’s Coldest 100 – 2025 appeared first on Planet Maynard.

Happy 50th Birthday Triple J !

Triple J staff celebrated 50 years of Triple J on Sunday 19th January. Even the ABC itself did the same thing later that day. Hear from Rusty Nails, Dr Karl, Sarah Macdonald, Craig Donarski, Andy Marinos, Dame Lush, Hannah Thompson and other ex ABC staff and current Triple J listeners. The expectant crowd at ABC Ultimo await a tight set of 15 minutes of stand up comedy from the Prime Minister. Here’s what happened at the Triple J 40th staff party… Maynard Triple J Breakfast show 1989 Here’s a rough transcript of what transpired this time, at the 50th….RUSTY: An audio dildo. Maynard: At Triple J’s 50th birthday, and who’s the first guy I run into drinking a cup of coffee? Is there anything in that Rusty Nails? Rusty Nails: Just, just coffee this morning, Maynard. I’ve got some serious professional work to do.M: What year of Triple J are you covering? I’m covering the 79 to 85 ish era, which is sort of like the Uncle Doug Mulray, Johnno and Danno Off The Record, and the J Team, of course.M: How come commercial radio never snapped you up from your breakfast show at Triple J? I probably wasn’t good enough. I was probably too rebellious enough. I did actually, funnily enough, I did actually talk to Trevor Smith at one point, who now lives in Byron, near me, and we go over it quite a lot. And he said, Nothing wrong with your talent. But we don’t like your voice, it’s not Aussie enough.M: Everyone knows that when an English guy speaks there’s authority. Or he’s a geezer, it’s either one or the other. M: Oh, I’m a geezer. M: What do you reckon has been the greatest moment of Triple J over the last 50 years?Rusty: Actually, the fact that At this fiftieth, I’m proud to announce that, I’m almost finished writing, no, not finished, but I’ve almost finished writing my book for my daughter, and it’s called Dear Emily, Extraordinary Moments in an Ordinary Life, and it’ll be on the bookshelves by Christmas.M: I’ll look forward to that. Why do you think there’s never been a book about Triple J? Is it too complicated? Rusty: Well, there was one, Toby Creswell was supposed to write one. But there was that twenty years of Double J and Triple J, They never reprinted it. All David Wale’s artwork through it, too. It had wonderful stories.Maynard: I tell you what, Rusty, because I’ve got a lot of reel to reel tape, which I recorded stuff on, at the end of it, there was stuff that I hadn’t recorded over. And I’ve heard a lot of your unedited interviews, one with the Homecoming Queen’s got a gun, Julie.R: Julie Brown! Maynard: I’ve got your interview with Julie Brown.Rusty: Wow. Unfortunately, I lost a mass of tapes moving continent to continent and stuff, but I think I’ve still got this. I think I might even have a Yahoo! series interview somewhere. What’s the song for you that epitomizes your time[00:02:12] at Triple J?[00:02:13] Oh, shit. I suppose it’s gotta be when we’re doing the breakfast program and Midnight Oil came in and world premiered their Placed Without a Postcard album.Maynard: Well, you have your coffee and I look forward to seeing you on stage, Rusty. Yeah, yeah. Now, remember when you say you’re finished, wait for the applause to die down before you’re telling what you’re finished.Rusty Nails: Can I dance with you later? Maynard: I hope so. See you, Rusty. Rusty Nails: See you, Maynard. I’m up the back with the uncool kids, and who’ve we got here? No, no. Oh, you don’t want to talk? Oh, okay. Right. So over the years, you’ve got all the people you hear on the radio, but then you’ve got the people who make you hear the people that you hear on the radio, like Scott.[00:02:57] Scott, you were the technical guy. You did everything, really. You, at one stage, held up the antenna during a rainstorm. Yeah, well. The transmitting mask. Of course. What was the most challenging thing to being a tech guy trying to run around with a bunch of ninnies at Triple J and Double J?[00:03:12] I don’t think anything was too challenging.[00:03:14] It was a wonderful experience.[00:03:16] Technology wasn’t like it is now. Like, everyone just goes through the phone line now, but if you wanted to go through the phone line to do an OB, then it was like a thousand bucks or something, wasn’t it, from telecom? Yeah, you had[00:03:25] to pay the money, yeah. Or the PMG. And turn up and find the little cable with the tag on it, and ring up the telecom people.[00:03:32] Were you the guy that recorded Village People at the Horton? No, not me. Oh, wow,[00:03:36] okay, because I know, I’m going to find that person, enjoy his arm, and I hope you don’t find a tag that costs you a thousand dollars today. Yeah, well, hopefully. We’ve got Murdo here, Murdo McLeod. What do you reckon would be the song that says 50 years of Triple J[00:03:48] for you?[00:03:48] Oh, going back to Spider Man probably, Psychotic Churnbuckles. That was of an era. There weren’t too many bands like that at the time. Hey, do you think[00:03:56] it’s really odd that there’s no actual ABC cameras [00:04:00] or recorders here today? Because this was put on by the staff.[00:04:02] I know, I think it’s very much representative of what the ABC is these days.[00:04:07] It’s a pity, because it is an era that Changed Australia to some extent. Helped highlight the fact that we could be independent, thinking So we’ve got[00:04:15] members of the public and ex employees like Ms. Lush. That’s Dame Lush to you. I imagine it would be. What do you reckon is the song from the 50 years of Triple J that goes, Yeah, that’s the Triple J song that I liked.[00:04:26] You just like me because I’m good in bed. Right, what was the question? That’s the one they started with. Not even Baldwin calling? That comes later. That comes later. What do you think Triple J means these days, after 50 years?[00:04:37] Well, I’m hoping it means the same thing, an introduction to life, society, good music, and just generally dancing your tits off.[00:04:44] Do you remember the first time that you listened? I don’t remember those days. I remember hearing it in Newcastle, because it was on after midnight on Radio National. And I think we’re going to hear some interesting history today.[00:04:54] Ben, oh, no![00:04:55] Oh, okay, I think it’s going. Hey,[00:04:56] hey, oh, sorry![00:04:57] Okay, thank you.[00:04:58] Later! Have a good day.[00:05:14] Well, we’re here at the official function now, which is at the ABC building in Ultimo. One that brings back many memories to me, and with me is someone else who brings back many memories. That would be Craig Danowski. Hi, Craig. Thanks, Maynard. What do you reckon is going to go on? This is the official one.[00:05:26] This is the proper one. This is the boring one, although it’s much better catered.[00:05:29] Oh, yeah. The quality of their food is much higher than the staff organized one that we’ve just been at the last five hours. I like the staff food. We’ve got Andy Neal here.[00:05:37] Look, and since you two know a lot. That spread over there is better than anything I ever saw at any Triple J function when I was there.[00:05:43] Oh, it’s true. Yeah, so why has the ABC got into catering now? Because the federal government doesn’t give them enough money. Very good point. So what’s your best memory being with Triple J, Andy Neal, being the manager during a very tumultuous time? Was it being egged in St Kilda? You remember that? Wow! [00:06:00] Yeah, because I felt so sorry for you.[00:06:01] Because you, because back in those days, there was no one to put up radio that bites posters. That’s right.[00:06:06] I was, I was sticking up posters on telegraph poles down bloody Ackland Street in St Kilda. And some idiot drove past in a car and threw eggs at me. And it was like 11. 30[00:06:16] at night. Yeah. And you’d been going since the morning.[00:06:18] You’d been putting posters up. And it was like, and you thought, well, fucking great. Fucking good memory Maynard. I really felt for you because you’ve been working hard. Great fun launch that Melbourne line. Oh, yeah, and also whenever I was churning bullshit at you in the lower down hall too. I hadn’t seen that footage before and I thought oh, I bet you he was going fucker.[00:06:35] I was just trying to get out what I wanted to say. Eventually got it out over at the top of a bit of bullshit. What’s your one song you remember from the time of Triple J that sums up a lot and is the one you remember? I know you were there for a long time.[00:06:47] I would say when it started, started with Guy Hook’s You Just Like Me because they were good in bed.[00:06:52] And then when we were gonna start going as a national network, I thought, you know, what song are we gonna start with as far as something that was trying to make a statement with what we were starting with? We commissioned Bart Willoughby, who was Aboriginal musician, had been from No Fixed Address, currently had a band then called Mixed Relations.[00:07:14] We commissioned Bart to write a song for the station. It was recorded in Studio 221, called Take It or Leave It. That was the first song on air on Triple J. In Melbourne, Perth, Darwin, Adelaide, Newcastle, Hobart, Darwin, and Brisbane. And[00:07:30] let’s just correct a bit of our George Orwell ness that went on with the Adelaide launch.[00:07:33] The first words spoken on air were, This is not a fucking test transmission by Tony Biggs. Yeah. Not, this is, this is not a test transmission as reported by the Adelaide Advertiser. Yeah.[00:07:44] And, as I kind of mentioned earlier on, About four or five songs in, every, Tony Biggs did the launch, there was a big build up, they do the launch, and about four or five songs in, Tony Biggs plays Too Drunk to Fuck by the Dead Kennedys.[00:07:58] And I’m [00:08:00] kind of standing around there talking with David Hill and Malcolm Long and, and the South Australian Premier. All the cool kids. Oh, something like that. And I hear in the background, oh, Biggs is playing Too Drunk To Fuck. But they never even notice. No one even fucking noticed Biggs played Too Drunk To Fuck is about song four.[00:08:18] But then, two or three months later, they notice, fuck the police. Even though it had been on air there over the whole time.[00:08:24] Triple J was overplaying that at that time. We’d kind of gone past playing it. That’s right. That’s right. Danny, have a good day here and nothing stops you. You’ve had a whole crowd shouting bullshit at you.[00:08:34] Yeah. Thank you, Andy. Thanks, Meinhardt. And the legend, Andy Neal. Now back to the legend, Craig Danowski here. What do you reckon will be the one song from your time at Triple J? Because you had Nippy Rock Shop, you did lots of experimental stuff.[00:08:46] Really hard to pin it down to one, but I’d have to go with the song that I had as my last song on the day that I left, Public Image is Public Image.[00:09:00] Three minutes of just pure punk pop perfection. It kind of summed up my goodbye. And for the record, how many hours[00:09:08] were you in the lift[00:09:09] here[00:09:09] in the ABC building?[00:09:11] Three hours. Three hours, so my farewell party was in the end of 98. And after 12 and a half years here, we set up the goods lift, or the piano moving lift.[00:09:23] Which had the false back in it. Yeah, it was a venue in a lift. And we put in beanbags, sound system, lighting, cases of champagne, crates of nangs, cream whippers, and other things. And you went up and down in the lift for three hours. Did the managing director ever get in? No, not the managing director, but we did blow the minds of many of the switchboard people.[00:09:50] And Master Control, and the much straighter parts of the ABC, had a different experience. Of[00:09:58] course you’re a director of [00:10:00] your own arts establishment at the moment. What do you take from your time at Triple J into your career as an arts director?[00:10:05] Lots actually. It’s like, find the edge. Because all the interesting things happen at the edges of things, not in the middle.[00:10:14] Not at the centre. Try to find the people who are doing the interesting stuff at the edges. Because that’s where all of the most interesting stuff occurs. I get how it’s really hard for a national network that goes to every regional centre and every capital city to be able to be, like, really cutting edge.[00:10:37] It’s hard. You know, we were lucky.[00:10:40] So, of course the original building had that wonderful pink neon on, on the roof. How great was it to have sex under the pink neon on the roof of the Triple J building in Williams Street, Craig? It was actually pretty awesome ’cause everything was just bathed in pink and everything was so still in the middle of the night[00:10:54] after the, the sackings of all of the announcers when, when we were up on the roof and Tony Biggs was burning his mouseketeer hat.[00:11:04] Oh, a shout out to Tony Biggs. Yeah. Yay. Tony Biggs. Who I used to produce on The Breakfast Show before you were even on The Breakfast Show. It was awesome to have our own little building and be separate from the rest of the ABC. And so part of the problem. For Triple J being edgy, happened when we had to move into this building we’re in now.[00:11:24] Yeah! The ABC comp It’s so sterile by comparison. Yeah, I mean, look around. It looks like a corporate head office. When we were our own little building on the corner of Forbes and William Street in King’s Cross, with The sex workers out the front, and, you know, the hoons driving past. And the trans workers in the back alley.[00:11:45] Trans workers in the back alley. It was awesome. It was like, we were on the edge. We were on the fringes of things. It helped inform or infect or influence the vibe of what we were doing at the time.[00:11:59] And what’s your [00:12:00] best memory from listening to Triple J all these years? This is a regular person.[00:12:03] The one I remember the most is listening to Tim Ritchie at night time on my Walkman with my headphones.[00:12:09] Learning about new music and Triple J really opened up the world of music for me. I remember my first concert was Public Enemy, brought to you by Triple J. Big Day Out was a huge part of my life as well, going for many years. Triple J was a station you tuned to, to find all the music you couldn’t find anywhere else.[00:12:25] Just the other day on my website, someone said, Oh, what’s that song? La la la la, I’m addicted to music. And it sounded like DJ and the Jazzy Jeff, but no, it’s a subsonic 2, addicted to music. Here’s a little bit of it now. It’s quite a cool track.[00:12:38] Maybe I’ll have a USB stick that has it if I go looking. Yeah,[00:12:41] you might have that there.[00:12:42] Enjoy the I just gave this man a USB stick of the Hot 100 from 1990 and he couldn’t be happier. Well, enjoy your day. Are you looking forward to the speeches today?Lush: I’m always looking forward to speeches. It gives me a chance to get to the bar.[00:12:54] Because everyone’s distracted by the Prime Minister.[00:12:57] Precisely. And isn’t he looking fine today? You know it’s a Sunday because he’s not wearing a tie. He’s very hot.[00:13:03] We’re just listening to the Prime Minister talk then and what a speech he gave.[00:13:07] He wasn’t particularly, he could have done a few gags, couldn’t he Dr[00:13:10] Karl? I do like speeches to be short. And I like them to make me laugh, and I didn’t get either. Well at least he[00:13:16] said that the funding won’t go away just yet. Good start. And Dr Karl, we know your story, you go way back. What year did you start at Triple J, or Double J in fact?[00:13:24] I did my first thing on Double J, 74. Talked about my anti gravity machine. I actually spent two years of my life and 5, 000 of my money with a colleague trying to build an anti gravity machine and it failed. But then regularly, it was 1981, with the launch of the Space Shuttle, and then doing stuff on, great moments in science, and here I am 45 years later.[00:13:46] Could you imagine that you’d still be doing it all these years later? I had no idea that it would happen like that. Basically, I feel as though my life has been like a paddle pop stick. In the gutter of life, on a rainy day, [00:14:00] and this is where the currents have washed me. Oh yeah, just trying, he’s[00:14:02] more a bubble o bill kind of guy, more than the paddle pop stick.[00:14:05] You know, with the bubblegum nose, and it’s a bit more interesting.[00:14:08] It’s amazing how little control you have over your life. Having been a medical doctor, it’s amazing how just one simple illness can derail you forever.[00:14:16] Congratulations on everything you’ve done. And is there one song in your entire involvement with Triple J that you really sticks out as being?[00:14:23] Well, yeah.[00:14:23] I still like you. You just like me because I’m good in bed. Because that was the first one. And I had no idea that that song existed because it was banned by all the commercial radio stations. And that’s what Triple J was all about. Breaking the barriers, JJJ, as you’d probably call it. Long may you reign, Dr.[00:14:40] Carl. Thank you so much, Dr. Maynard.[00:14:42] Hey, hello, good to see[00:14:43] you. Hey, I’m here with Marius, now the guy who started the whole bloody thing. How’s the day been, 50 years later?[00:14:48] Oh, it’s been a bit boring, a bit dull. Nothing much to report, I’m afraid, Maynard. Except that wonderful thing you said. What was that?[00:14:57] Fuck the police. That was so original.[00:14:59] Well, I actually said fuck the parking police. Oh, did you? I was misquoted. Oh. But, fair enough then. What is the one song from all the many years of your involvement with Triple J that, what’s the one that go, that’s the one? What are all the songs? Sex and drugs and rock and roll, Lee and Jerry.[00:15:15] Because that’s what it was all about?[00:15:17] More or less. Yeah, fuck the police as well.[00:15:19] And being a manager of Triple J was a unique thing because You couldn’t really tell people off the way a regular manager could, could you? Oh yes, you could. You could?[00:15:29] Yeah! It’s just I never did, because I loved them all. The wonderful thing about the people we hired, or I hired, I sort of think about them all as friends and old mates, you know?[00:15:41] So, very hard to discipline. But herding cats is quite an achievement, and people say I’m not bad at it after all these years.[00:15:50] You saw the latest controller of Triple J there, and his job would be so much different. Would you ever want to swap places with him?[00:15:58] No, I don’t think so. I [00:16:00] don’t think I could cope with the modern day.[00:16:03] And I also think that if I was a manager today, I’d like to leave the ABC, get a whole lot of young people. and start up my own app. Because the ABC should do that. Spotify has changed everything in a way that’s ridiculous. I hate so much of the music I hear these days, because it sounds like it should be on the fucking voice, rather than interesting, creative stuff.[00:16:31] I mean if you think of all the different people we picked up from all over the world as well as from here. Marvellous stuff in the first 30 years. Really fantastic stuff. Congratulations on you and thanks to the Whitlam government, by the way. Indeed, if we hadn’t had[00:16:50] them, it never would have happened.[00:16:52] And great to see you as well, Marius. I look forward to seeing you again soon. Let’s have lunch tomorrow. I’m talking to a whole bunch of people about songs I remember from Triple J, and what’s the one for you?[00:17:03] I think for me, it’s Flume, Never Be Like You. I was a producer for The Hottest 100 for a very long time, and I ended up running The Hottest 100 radio station.[00:17:12] That was the first Hottest I ever worked on. It was so exciting being able to organize a surprise and kind of make the dreams of an Australian artist come true. There’s nothing like it.[00:17:23] Wouldn’t you get a lot of cranks going, Why isn’t this on the Hottest 100? Why isn’t this one in there? Would you get people like that?[00:17:29] You do get people like that, but it’s democracy. You have to vote to get involved, and if you want to have a say, it is what it is. If you want to complain about it, I’m sorry about it, but it’s life. Sometimes things don’t go your way.[00:17:42] What really gets me is that when you go back to some of the earlier ones, people go, why were people voting for that?[00:17:48] It’s called history. In 1990, they liked 5 Cure songs.Hannah; When I was in the process of making the Hottest 100 radio station, I created this massive database of all of the songs [00:18:00] that had ever been in all of the Hottest 100s. Maynard; And there was Dancing Queen.Hannah; Oh yeah, and the thing is, the Hottest 100 is about what’s happening now. It doesn’t matter what’s happening in the future or how you look at it in the future, it’s an encapsulation of those songs.Maynard; Dennis Leary, Arsehole, that was number one that year, now you never hear it.[00:18:19] It’s special though. Because it means something to the people that were there at that point.[00:18:24] It doesn’t fucking matter what happens in 20 years time. Asshole was the moment. It was everything that mattered to those people then. And who are you to say that it wasn’t special? Yeah, this meant something to these 18 to 24 year olds in whatever time period.[00:18:41] Too right, Hannah. Too right. And who have we got here at this Triple J Gooby Dooby?[00:18:46] And Sarah, what do you think is the one track from all your time of listening and being on Triple J? What’s the one you go, yeah, that’s the one that says it all? Is there one?[00:18:55] That says it all to a part of my life, and that was Charlie No. 2 by the Whitlands.[00:19:00] Why is that?[00:19:01] Because it was a song about Stevie from the Plunderers.[00:19:04] When I did an Unearthed Once, we were doing a fundraiser for Reach Out, which is about young people and mental health. And Tim sang it on the piano, and it’s a beautiful song about love and loss and a friend you can’t help. And whenever I hear that song, it just takes me back to the power of good people coming together to help those who need help.[00:19:22] And even those who can’t be helped. Makes me cry every time. It’s[00:19:25] almost a perfect Whitlam song.[00:19:27] It’s a perfect Whitlam song.[00:19:29] My name’s Andy, Andy Marinos. I remember your dad from being really popular from his late night football calls and things. Oh yes, late night football calls. Lex Marinoff was his name.[00:19:38] He did a lot for early Triple J, early Double J. You know, he wanted to be remembered by, as a multicultural pioneer, you know, pioneer for Greeks, the pioneer for the world. Did you get your dad’s work when you were younger? Or you’re going, what’s this crap dad’s doing? Oh, well, he took me along to Kingswood country and stuff.[00:19:54] But my mum used to also work on Double J rock. So I would be in a studio quite a [00:20:00] bit as a kid. What’s the song you think that would be the one song, you know, from your history of listening to Triple J? Oh, Video Killed The Radio Staff. Why is that? Oh, it’s my first single that I wanted to buy. And I’ve still got it at home somewhere.[00:20:12] Triple J probably would have played the album version as well. They did. One of Trevor Horn’s greatest moments as a producer. It was. What do you think of the future for Triple J? But Triple J is always going to be around. It’s going to be always involved, let’s face it. Always. And no matter what it is, someone will always complain.[00:20:27] Absolutely. Otherwise, it wouldn’t be Triple J. The post Happy 50th Birthday Triple J ! appeared first on Planet Maynard.