HIP HOP VS THE COPS EP. 4: HINDSIGHT IS 20/20

As I have started the introspective study of my life since the documentary I created 17 years ago, I don’t want to stray from my initial inspiration that catapulted me into my fascination with law enforcement and Hip-Hop, but more specifically, the nuances, perception, and uneven legal ground created by criminal prosecutors using lyrics, and their visuals, to pursue their criminal cases. 

Like the secret book I found, the use of song lyrics or the use of a music video to create a criminal narrative seemed as odd to me today as it did back in 2005. Art imitating life, or life imitating art, these questions I still struggle with as my understanding has deepened. 

Jaeah Lee who wrote the aforementioned New York Times article, opens the piece with the story of Tommy Munsdwell Canady, an aspiring rapper from Racine, Wisconsin, and when I say aspiring, I mean he uploaded a few songs to Soundcould, a feat my 10yr old niece can do.

Police in Racine were looking for suspects in three recent shootings, one of the victims, Semar Mcclain who was 19 at the time, was found dead with a bullet in his temple.

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