Daft Punk’s first album laid the groundwork for their robot personas, with four to the floor beats, programmed drum machines, and sequenced synthesizers. On their second album Discovery, Daft Punk fully lean into the artificial – singing through robotic vocoders that correspond with their now-iconic robot helmets.
But in there is a paradox, explored on episode 2 of Listening to Daft Punk: the more machine the robots become, the more human the music sounds.
Songs Discussed
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Invasion of the Vibe Snatchers
Into It: Song of Summer 2022
Learning to love the Killers (maybe)
K-Pop Chartbreakers: BLACKPINK, Girls’ Generation, NewJeans, IVE
Demi Lovato Searches for "Substance" In Pop-Punk Perfection
Beyoncé's ‘Renaissance’ Era
Into It: The Business of Beyoncé
"It's About Damn Time" for Another Lizzo #1
Elvis, Big Mama Thornton, Doja Cat, and the Long Legacy of “Hound Dog”
We Won’t Go Back: Pop Music and the Fight For Reproductive Rights (w MILCK and Ann Powers)
Harry Styles and the Sledgehammer Horns
ICYMI: The 90s’ Most Unlikely Hit (with Baz Luhrmann)
Beyoncé's House
Robert Glasper on jazz, basketball, and his score for "Winning Time"
Scoring Stranger Things with Kyle Dixon & Michael Stein
Kate Bush, Stranger Things, and a hit song four decades in the making
So your song went viral on TikTok. What’s next?
The 1980s jam that gave Latto and Mariah Carey Big D*** Energy
Kendrick Lamar and the big samples
Modern Classics: PJ Morton made Nas’s Stevie Wonder dream come true
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