Can we ever really know Primo Levi? We know his books, of course, especially If This Is A Man, the astonishing account of his survival from Auschwitz. But what, then, of his apparent suicide in 1987? How can a man who miraculously survived Auschwitz take his own life forty years later? That’s one of the questions that Joseph Olshan asks in Milo’s Reckoning, a new novel about Levi, suicide and our own unknowability. Olshan, himself deeply affected by Primo Levi's death when he first heard the news during a newspaper int...
Can we ever really know Primo Levi? We know his books, of course, especially If This Is A Man, the astonishing account of his survival from Auschwitz. But what, then, of his apparent suicide in 1987? How can a man who miraculously survived Auschwitz take his own life forty years later? That’s one of the questions that Joseph Olshan asks in Milo’s Reckoning, a new novel about Levi, suicide and our own unknowability. Olshan, himself deeply affected by Primo Levi's death when he first heard the news during a newspaper interview in Italy, explores the profound mystery of human nature and the limits of what we can truly understand about others, even those, like Levi, whose experiences have been supposedly laid bare in their autobiographical work.
5 takeaways
1. Suicide is often impulsive, not premeditated Most suicides happen in the spur of the moment when people "snap" under pressure, rather than being carefully planned decisions. The majority don't even leave notes, contrary to popular belief.
2. Personal trauma shaped Olshan's literary obsessions Olshan's lifelong fascination with suicide stems from witnessing a child's drowning at age six, followed by the suicides of an influential college professor and his aunt - experiences that ultimately inspired Milo's Reckoning.
3. We can never fully know another person Even when someone writes intimately about their experiences, as Levi did about Auschwitz, we still can't truly understand their inner life or predict their future actions - hence the shock of Levi's apparent suicide.
4. Language barriers limit authentic cultural understanding Olshan argues that American writers who spend brief periods abroad without knowing the local language cannot authentically capture those cultures, emphasizing the importance of linguistic fluency for true cultural insight.
5. Too much self-knowledge may be dangerous Olshan suggests that suicide might result from excessive self-awareness - people who contemplate life's inequities and their own perceived deficiencies too deeply may become overwhelmed by the world's suffering and their place in it.
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