#1289: “Sen” Is a Beautifully Transcendent Virtual Japanese Tea Ceremony Exploring Reincarnation
#1288: “Tales of the March” Uses Durational Takes in 360 Video to Explore Death Marches
#1287: “Letters from Drancy” is an Incredibly Emotional and Powerful Story About the Holocaust
#1286: Capturing the Horrors of the Ukrainian War in “First Day” with High-Res Environmental Captures
#1285: PK’s Break Series in VRChat Explores the Intersection of Shaders and Indie Music
#1284: Gina Kim’s Environmental Storytelling Innovations with “Comfortless”
#1283: The Exquisite Lighting in Fins’ “Complex 7” VRChat World
#1282: Ethnographic Study of South Korean Studio Apartments with “Oneroom-Babel”
#1281: The Many Movie Magic Techniques Behind “David Attenborough’s Conquest of the Skies”
#1280: Interactive Projection Mapped Installation “Populate” Poetically Explores the Human Nature Dialectic
#1279: “Home” Explores Human Nature Relationship with Visceral Projection Mapped Installation
#1278: Visualizing the Invisible and Pushing Forward the Grammar of Visual Storytelling with “Flow”
#1277: A Vocal Landscape is an Intimate Study of Authentic Conversation and Surrealism
#1276: Beautiful “Emperor” Explores Aphasia Communication Gaps with Compelling Interactions
#1275: Translating 2D Paintings in Immersive Biography with “Frequency”
#1274: “Queer Utopia: Act I Cruising” Explores Queer Identity, Exile, AIDS, & Sex in the 80s
#1273: Switching First and Third Person POV with “Finally Me” Coming Out Story
#1272: Kickoff of Venice Immersive 2023 Coverage with Winner “Songs by a Passerby” and Atmospheric Storytelling
#1271: Indie Immersive Narratives at FIVARS & the Fragility of XR Creation, Distribution, & Open Source Ecosystems
#1270: Preview of Venice Immersive 2023 Selection with Co-Curators Liz Rosenthal & Michel Reilhac
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