Leah Umansky is the author of two book-length collections, The Barbarous Century (2018), Domestic Uncertainties (Blazevox, 2012), and two chapbooks, Straight Away the Emptied World (Kattywompus Press, 2016), and the Mad Men-inspired Don Dreams and I Dream (Kattywompus Press, 2014). Her writing has been widely published in places like The New York Times, The Academy of American Poets’ Poem-A Day, USA Today, POETRY, Guernica, and American Poetry Review. She has been the host and curator of the N...
Leah Umansky is the author of two book-length collections, The Barbarous Century (2018), Domestic Uncertainties (Blazevox, 2012), and two chapbooks, Straight Away the Emptied World (Kattywompus Press, 2016), and the Mad Men-inspired Don Dreams and I Dream (Kattywompus Press, 2014). Her writing has been widely published in places like The New York Times, The Academy of American Poets’ Poem-A Day, USA Today, POETRY, Guernica, and American Poetry Review. She has been the host and curator of the New York City-based poetry series COUPLET since 2011, and is a graduate of the MFA Program in Poetry at Sarah Lawrence College. Leah has become well known for her poetry inspired by TV series, such as Mad Men, Westworld, and Mr. Robot. Many of her Game of Thrones-inspired poems have been translated into Norwegian and Bengali. In 2013, Flavorwire named her #7 of 23 People Who Will Make You Care About Poetry, and her chapbook Don Dreams and I Dream was voted one of The Top 10 Chapbooks To Read Now in 2014 by Time Out New York. Leah has been a middle and high school English teacher for fifteen years and has also taught workshops at The Poetry School, Hudson Valley Writers Center, and Memorial Sloan Kettering’s Visible Ink Program. She is also a collage-artist who has designed all of her book covers. In ‘Where are the Stars?’, one of the poems in her collection The Barbarous Century, Leah writes: ‘The self is mapped in certainties. I am certain that I can measure this in words.’ Those kind of certainties are consistent preoccupations of Leah’s work: hers is a poetry that frequently asserts ‘I am…’, ‘I will…’, ‘This is what I mean…’, and there is a self-confidence and ambition in her writing, especially in a poem like the first we look at together, ‘Unleashed’, that makes an interrogation of the self possible, especially the female self. In that poem and elsewhere, Leah explores the way that people change and suggests that such change can be immensely rewarding if we risk embracing it. This is sometimes an idealistic poetry that seeks to celebrate what is good in the world (at one point in our conversation, Leah says that ‘there’s always room for celebration’), but it is also a realistic one. With its desire to show what it’s like to be alive, Leah’s poetry is also happy - and sometimes seems compelled - to call out those things and those people who live meanly and selfishly, such as the ‘tyrant’ in her recent work - a thinly-disguised version of Donald Trump sometimes, but often a much broader figure of someone, usually a man, who has no sense of decency. And often that examination of goodness is bound up with questions of gender and in particular - as is evident in a poem we discuss, ‘[Of Men]’ - in the relationship between men and women. Just as these poems challenge traditional and obsolete notions of gender roles in their subject matter, so too their form bends and sometimes dismantles poetic conventions. Leah brings a tremendous energy and virtuosity to her work and to the way she talks about her work, and I think that comes across clearly in this interview. Please do check out the poems, which you can find on the Poetry Centre website - just look up the Podcast page - and seek out Leah’s work. There are links to her books, her website, and her social media on the Podcasts page too. Thank you for listening!
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