Writers sit watching a stranger’s search engine terms being typed in real time, a voyeuristic peek into that person’s most private thoughts. A woman lands a dream job at a powerful tech company but uncovers an agenda affecting the lives of all of humanity. An app developer keeps pitching the craziest, most harmful ideas she can imagine but the tech mega-monopoly she works for keeps adopting them, to worldwide delight.
The first instance of deep online creepiness actually happened to Dave Eggers almost 30 years ago. The latter two are plots of two of Eggers’ many bestselling novels—“The Circle” and “The Every,” respectively—inspired by the author’s continuing rumination on how much is too much on the internet. He believes we should live intentionally, using technology when it makes sense but otherwise logging off and living an analog, grounded life.
Eggers — whose newest novel, “The Eyes and the Impossible,” was published this month — speaks with EFF’s Cindy Cohn and Jason Kelley about why he hates Zoom so much, how and why we get sucked into digital worlds despite our own best interests, and painting the darkest version of our future so that we can steer away from it.
In this episode, you’ll learn about:
Dave Eggers is the bestselling author of his memoir “A Heartbreaking Work of Staggering Genius” (2000) as well as novels including “What Is the What” (2006), “A Hologram for the King” (2012), “The Circle” (2013), and “The Every” (2021); his latest novel, “The Eyes and the Impossible,” was published May 9. He founded the independent publishing company McSweeney’s as well as its namesake daily humor website, and he co-founded 826 Valencia, a nonprofit youth writing center that has inspired over 70 similar organizations worldwide. Eggers is winner of the American Book Award, the Muhammad Ali Humanitarian Award for Education, the Dayton Literary Peace Prize, and the TED Prize, and has been a finalist for the National Book Award, the Pulitzer Prize, and the National Book Critics Circle Award. He is a member of the American Academy of Arts and Letters.
This podcast is supported by the Alfred P. Sloan Foundation's Program in Public Understanding of Science and Technology.
Music for How to Fix the Internet was created for us by Reed Mathis and Nat Keefe of BeatMower.
This podcast is licensed Creative Commons Attribution 4.0 International, and includes the following music licensed Creative Commons Attribution 3.0 Unported by their creators:
http://dig.ccmixter.org/files/airtone/58703
CommonGround by airtone (c) copyright 2019 Licensed under a Creative Commons Attribution (3.0) Ft: simonlittlefield
Additional beds and alternate theme remixes by Gaëtan Harris.
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