Abby and Patrick welcome film critic A.S. Hamrah. Hamrah is a prolific writer of reviews, essays, and dispatches, and the two brand-new collections of his most recent work, Algorithm of the Night and Last Week in End Times Cinema, furnish Abby, Patrick, and Scott with the perfect opportunity to talk cinema, nostalgia, the political economy of movies, and much more. From moviegoing as an embodied experience to the nature of theaters as built environment, the three explore the overdetermined...
Abby and Patrick welcome film critic A.S. Hamrah. Hamrah is a prolific writer of reviews, essays, and dispatches, and the two brand-new collections of his most recent work, Algorithm of the Night and Last Week in End Times Cinema, furnish Abby, Patrick, and Scott with the perfect opportunity to talk cinema, nostalgia, the political economy of movies, and much more. From moviegoing as an embodied experience to the nature of theaters as built environment, the three explore the overdetermined significance of going to sit in a dark room alongside strangers, simultaneously alone yet connected to one another. Unpacking the status of cinema as a quintessentially modern medium, they consider how developments like the smartphone, social media, Netflix, and the COVID-19 epidemic have reshaped both the film industry and our practices of media consumption. They also go deep into the relationship between cinema and television, addressing genre distinctions between soaps and prestige TV; the origins of reality TV in COPS, writers strikes and neoliberal austerity; and the direct line between reality TV and the Trumpian present. Along the way, Abby, Patrick, and Scott take up topics including: the social role of film criticism as a genre to popular discourses about fandom and “letting people enjoy things”; the loneliness of critics and the anomie of watching “second screen content”; and shifting norms of audience behavior (read: being rude). And it all builds to a debate over whether or not going to a movie versus binge-watching Netflix may express different fantasies, desires and anxieties about intimacy, control, and death. Silence your phones, get some popcorn, and enjoy!
Texts cited:
A.S. Hamrah, Last Week in End Times Cinema: https://mitpress.mit.edu/9781635902686/last-week-in-end-times-cinema/
A.S. Hamrah, Algorithm of the Night: Film Writing 2019-2025: https://shop.nplusonemag.com/products/algorithm-of-the-night-by-a-s-hamrah
A.S. Hamrah, The Earth Dies Stremaing: Film Writing 2002-2018: https://shop.nplusonemag.com/products/the-earth-dies-streaming-by-a-s-hamrah
Jean-Louis Baudry, “Ideological Effects of the Basic Cinematographic Apparatus”
Walter Benjamin, “Theses on the Philosophy of History”
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