In this episode, I talk about Robert Wise's 1963 cult classic, "The Haunting." It's based on Shirley Jackson's 1959 novel "The Haunting of Hill House," and stars Julie Harris as Eleanor Lance, a young woman who joins three people at a haunted house to investigate paranormal phenomena. Eleanor has spent over a decade caring for her invalid mother who has recently died. I explore how this film represents psychological disintegration and a woman searching for belonging as well as how the film uses sound and cinematography to create a frightening, claustrophobic atmosphere. At the beginning of the episode, I also talk about the recent news that Filmstruck is shutting down.
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Original artwork by Dhiyanah Hassan
Full Show Notes:
'Sharp Objects' Recap - Ep 1 and 2
Ingmar Bergman's 'Summer Interlude' (1951)
Jonathan Glazer's 'Birth' (2004)
John Cassavetes's 'A Woman Under the Influence' (1974)
Michael Haneke's 'The Piano Teacher' (2001)
Yasujiro Ozu's 'Late Spring' (1949)
Florian Henckel von Donnersmarck's 'The Lives of Others' (2006)
Guillermo del Toro's 'Pan's Labyrinth' (2006)
Donna Deitch's 'Desert Hearts' (1985)
Kathleen Collins's 'Losing Ground' (1982)
Ounie Lecomte's 'A Brand New Life' (2009)
Joanna Hogg's 'Unrelated' (2007)
Abbas Kiarostami's 'Close-Up' (1990)
Michelangelo Antonioni's 'L'avventura' (1960)
Agnès Varda's 'Cléo from 5 to 7' (1962)
Chris Marker's 'La Jetée' (1962)
Carl Theodor Dreyer's 'The Passion of Joan of Arc' (1928)
Ceyda Torun's 'Kedi' (2016)
Peter Weir's 'Dead Poets Society' (1989)
Larisa Shepitko's 'Wings' (1966) and 'The Ascent' (1977)
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