In hip-hop, what draws us to an artist is not just the content of their lyrics but how they deliver them. Along with tapping your foot to the rhythm, understanding something called “flow” is essential to understanding hip-hop as a whole.
In this episode of Switched On Pop, we interview genre icon DJ Jazzy Jeff on the concept of flow: what it is, how it applies to all music – not just hip-hop – and how any rapper’s flow can be analyzed under his guidelines. Taking his word for it, we put our magnifying glasses on to look at the bars of our favorite rappers, from Megan thee Stallion to Babytron.
Songs Discussed:
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Kimbra reflects on a song that we used to know
Kaytranada's journey from basement beat-making to the Grammys
JP Saxe Didn’t Mean for His Grammy Hit ‘If the World Was Ending’ to Be So Literal
Adrian Younge's new project sounds like James Baldwin meets Marvin Gaye
The Scandalous Sounds of Bridgerton (w Kris Bowers)
How The Weeknd’s “Blinding Lights” used retro sounds and modern bass to break every record
Epik High is our gateway into Korean hip hop (with Tablo)
Olivia Rodrigo’s “Drivers License” is a full throttle power ballad
D.O.C. (Death of the Chorus) with Emily Warren
ICYMI: The End Of Pop Music As We Know It: Fall Out Boy & Charli XCX
ICYMI: Do You Believe in Life After Autotune?
Wham! Op. 84 “Last Christmas” with Chilly Gonzales
Taylor Swift has "evermore" of a good thing
Women's Rap Renaissance
Red Hot + Blue with Meshell Ndegeocello
The Cyndi Lauper Conspiracy (with Sam Sanders)
ANTHEMS: Missy Elliott — Work It
ANTHEMS: Smash Mouth — All Star
ANTHEMS: Jock Jams — Get Ready For This
ANTHEMS: Queen — We Are The Champions
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