In today's Books with Hooks, Bianca, Carly, and CeCe are joined by Paige to discuss her query for her action-adventure romance novel. They discuss the importance of spelling out your protagonist's motivation in your query; the need for story-forward plot escalation; accurately positioning your novel’s genre; making an agent's job easier by picking the right comps; using external plot to make readers invested in your characters; following genre rules when it comes to plot points; the need for conflict and t...
In today's Books with Hooks, Bianca, Carly, and CeCe are joined by Paige to discuss her query for her action-adventure romance novel. They discuss the importance of spelling out your protagonist's motivation in your query; the need for story-forward plot escalation; accurately positioning your novel’s genre; making an agent's job easier by picking the right comps; using external plot to make readers invested in your characters; following genre rules when it comes to plot points; the need for conflict and tension in act two; focusing on your protagonist in your opening lines/paragraphs; avoiding character descriptions that are too on the nose; the need for active emotions in addition to interiority; the intrigue of complex emotions; and what makes a work YA rather than adult fiction.
After which, Bianca interviews author, nurse, and co-founder of #momswritersclub, Sara Read. They discuss Sara's sophomore novel, Principles of (E)motion; her path to publication; querying her first novel and the feedback she received; structure mistakes that beginner writers tend to make; how Sara pitched her second novel; the importance of rewriting before you give up on a WIP; what Sara learned from each of her rewrites; the need for causality in story; her research process; the prologue in Principles of (E)motion; and the genre of the novel.
Note: Carly Watters and CeCe Lyra are literary agents at P.S. Literary Agency, but their work on this podcast is not affiliated with the agency, and the views expressed by Carly and CeCe on this podcast are solely that of them as podcast co-hosts and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.
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