Episode 316 features guests Lina Barkawi, a Tatreez practitioner, preservationist, and educator based in Brooklyn, alongside Eman Toom, a Palestinian Tatreez artist, teacher, sewer and crafter.
“Part of just doing tatreez, in my personal opinion, is a form of resistance because we’re basically just existing and we’re showing our Palestinian identity, but there have also been very explicit uses of tatreez as a form of resistance. And so you have thobes that came out of the intifadas in the ‘90s where the flag was banned and so these are very explicit uses of tatreez where they would stitch literally the Palestinian flag. Or different motifs, like new motifs that came out of representing national identity and things like that. So, I just wanted to mention that because there have been very explicit forms of resistance, but I think the more subtle ways is kind of where Eman and I are playing a very big role in — is thinking about how do we help just bring more Palestinians into this art form and help them reclaim this art form and use it, because just by doing that, no matter what your color preferences are, whatever your background is, that is just in and of itself a form of resistance against an occupier.” -Lina
“The technique and the skill that you’re using to create these motifs — it is at its simplest form, a form of cross stitch. There’s other forms of tatreez, but for the most part, it is that. But what I try to always remind people is that tatreez is so much more than that, in the sense that it is a record of our history. You know, the more that we study Palestinian embroidery, the more that we’re studying tatreez, the more that we’re studying the history of Palestine at the same time. You can’t have one without the other, they go hand in hand.” -Eman
When we think about sustainability, what’s the first thing that comes to mind? Perhaps curbing our addiction to consumption, mass manufacturing, and circular materials. But what about cultural sustainability, craft, connection to ancestral land, and challenging colonization through continuing to uplift centuries old traditions?
In this week's episode we learn from our guests about how Tatreez inherently IS sustainability. The motifs and symbols embroidered on cloth are a language of symbols documenting spaces in time, they tell stories of nature, the flora and fauna around the Women making them. We learn that the hand made process is the antithesis to homogeneous fashion - it is slow, considered and truly one of a kind.
In 2021 the art of embroidery in Palestine was recognized by UNESCO as an important intangible cultural heritage - an artform that connects the Palestinian people to their roots. Preserving culture is inherently and naturally, as our guests share - sustainability. It needs no labels, or commodifying - it is made up of the everyday rituals, traditions, craft and practices that celebrate identity.
Quotes & links from the conversation:
“The Land In Our Bones” by Layla K. Feghali, book Kestrel brings up briefly
Lina’s Landing Page
Listen to Tatreez Talk (Lina’s new podcast)
Eman’s Website
Follow Lina on Instagram
Follow Eman on Instagram
S05 Episode 260 | What are you latching onto? A special edition recap — highlighting what we learned on season 5 to take us intentionally into season 6
S05 Episode 259 | Georgina Johnson's book "The Slow Grind" & the inevitability of degrowth in fashion
S05 Episode 258 | Aja Barber on how the *affordability* story is fueling a messed up narrative & why we need a culture shift
S05 Episode 257 | Farai Simoyi of The Narativ on the need for safe spaces where global designers can be seen, valued, and heard & educating the next generation of fashion's leaders
S05 Episode 256 | Shilla Kim-Parker of Thrilling on the digitization of secondhand & supporting small business
S05 Episode 255 | Gee's Bend Quilters: the original purveyors of sustainability & exploring the meaning of an equitable collaboration with Mary Margaret Pettway & Greg Lauren
S05 Episode 254 | Johnathan Hayden on using a brand as an experiment, questioning ownership over one's trash & how augmented reality could impact sustainability in fashion
S05 Episode 253 | Advocating for the U.S. to appoint a fashion czar, what are The Green Guides and more on the intersections of politics & fashion
S05 Episode 252 | Frankie Collective on reimagining supply chains for *upcycling* & embracing sustainability and streetwear through reworked design
S05 Episode 251 | CiscoSews on the freedom in nonbinary design & experimentations with upcycling
S05 Episode 250 | Natalie Shehata on why *diversity* is tokenistic and advocating for holistic inclusion
S05 Episode 249 | Isiah Magsino on fashion's current obsession with *genderless* and paying respect to queer & trans communities who have been stepping out of the binary forever
S05 Episode 248 | Ocean Rose on botanical dyeing, sustainability as a collection of idiosyncrasies & the art of slowing down
S05 Episode 247 | Christian Allaire of Vogue on the deep meaning behind Indigenous ribbon work & fashion as a means to reclaim culture
S05 Episode 246 | Nia Thomas on building an autobiographical brand & breaking up with plug and play approaches to doing fashion
S05 Episode 245 | Eshita Kabra-Davies of By Rotation on fashion rental, making the sharing economy personal & challenging the pressure of *newness*
S05 Episode 244 | Alyssa Beltempo on creativity over consumption & shifting the narrative away from placing *all* responsibility on the consumer
S05 Episode 243 | Julia Perez of Jae and Leona on separating self care from capitalism, launching a skincare line during the pandemic & advocating for skincare as liberation
S05 Episode 242 | Questioning the meaning behind *regenerative fashion* and building new fashion systems with Christy Dawn & Oshadi Collective
S05 Episode 241 | Reimagining waste as a resource, creativity's battle against commerce & the importance of welcoming financial sustainability into the larger conversation
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