#1249: Experiential Design Breakdown of “Reimagined Vol II: Mahal,” A Stylized & Mythic Story of Personal Grief
#1248: Tribeca Games Curator Casey Baltes Recaps the 2023 Selection of 2D Indie Games
#1247: The Branching Narrative Architecture of “The Expanse: A Telltale Series” Featured at Tribeca Games
#1246: Smartphone Orchestra’s “Emojiii” Cultivates Playful & Novel Group Social Dynamics
#1245: “The Pirate Queen” Narrative Game Wins Tribeca Storyscapes Prize with Exquisite Environmental Storytelling
#1244: “Maya: The Birth” Animation Uses Mythic Symbols & Magical Realism to Explore Menstrual Taboos
#1243: Origin Story of “Pixel Ripped 1978” with ARVORE and Atari Team + Novel Game-Within-a-Game Mechanics
#1241: “MONSTRORAMA” Narrative Game Uses Mixed Reality to Explore Inner and Outer Monsters
#1240: “Meneath: The Mirrors of Ethics” Uses Pepper’s Ghost Technique to Represent Indigenous Ancestors
#1239: “Fortune” Uses AR Filters to Tell Spatial Stories about Money and Facilitate Social Media Conversations
#1238: “The Fury” Combines Two-Channel Video Installation with 360 Video to Explore Memories of Sexual Assault
#1237: The VOID’s Curtis Hickman on his book “Hyper-Reality: The Art of Designing Impossible Experiences”
#1236: Blind and Low-Vision Challenges & Opportunities for XR Accessibility with Lighthouse Access Tech Experts
#1235: Head-Mounted AR as an Assistive Technology for Blind and Low-Vision Users with Yvonne Felix
#1234: Geospatial Browsing AR Feature in Google Maps with Screen Reader Support
#1233: Intersection of AI and Spatial Computing for XR Accessibility with Mozilla’s Liv Erickson
#1232: Low-Vision VR Design Innovations & XR Accessibility in Owlchemy Labs’ “Cosmonious High”
#1231: XR Accessibility Insights from a Government Contractor + AR as an Assistive Technology
#1230: Captioning for XR Accessibility with W3C’s Michael Cooper
#1229: XR for Career Exploration with Accessibility in Mind with Transfr’s Mark Steelman
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