This is the fourth and final segment of my recent conversation with author Geoffrey Block regarding his latest book:A Fine Romance — Adapting Broadway To Hollywood In the Studio System EraThis fascinating new book explores the passionate and often rocky relationship between Broadway musicals and the movie studios that brought them to the big screen.To accomplish this, Geoffrey Block takes an in-depth look at 12 stage musicals and their film adaptations and on today’s episode we focus on the fin...
This is the fourth and final segment of my recent conversation with author Geoffrey Block regarding his latest book:
A Fine Romance — Adapting Broadway To Hollywood In the Studio System Era
This fascinating new book explores the passionate and often rocky relationship between Broadway musicals and the movie studios that brought them to the big screen.
To accomplish this, Geoffrey Block takes an in-depth look at 12 stage musicals and their film adaptations and on today’s episode we focus on the final musical he covers — CABARET and its many incarnations on page, stage, and film.
But first we discuss the demise of that Hollywood studio system that was able to produce so many classic movie musicals, why the system fell apart, and what great musicals such as Cabaret were still able to be made after its collapse.
If you missed the first three episodes in this series you may want to catch up with those before listening to this one
Geoffrey Block is Distinguished Professor Emeritus of Music History and Humanities at the University of Puget Sound and the author of eight previous books including Enchanted Evenings: The Broadway Musical from Show Boat to Sondheim and Lloyd-Weber and The Richard Rodgers Reader. He is also the editor of Oxford’s acclaimed Broadway Legacies Series.
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