It’s May, and that can only mean one thing: it’s time for the Eurovision Song Contest. This year’s edition of the international-but-primarily-in-Europe competition features a uniquely eclectic group of songs (per usual), from a take on electro-flamenco, to Game of Thrones EDM, to a previous winner’s return to the Eurovision stage. On this episode, Charlie and Nate look at the six songs bookmakers are looking at to lead the pack of this year’s entries.
Songs Discussed:
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Silk Sonic's Retro Soul (with Tayla Parx)
AJR Conjure Broadway on 'OK Orchestra'
Return of the Funk Guitar: Cory Wong Breaks Down Dua Lipa, Jessie Ware and Nile Rodgers
What the 63rd Grammys say about the state of pop
Kimbra reflects on a song that we used to know
Kaytranada's journey from basement beat-making to the Grammys
JP Saxe Didn’t Mean for His Grammy Hit ‘If the World Was Ending’ to Be So Literal
Adrian Younge's new project sounds like James Baldwin meets Marvin Gaye
The Scandalous Sounds of Bridgerton (w Kris Bowers)
How The Weeknd’s “Blinding Lights” used retro sounds and modern bass to break every record
Epik High is our gateway into Korean hip hop (with Tablo)
Olivia Rodrigo’s “Drivers License” is a full throttle power ballad
D.O.C. (Death of the Chorus) with Emily Warren
ICYMI: The End Of Pop Music As We Know It: Fall Out Boy & Charli XCX
ICYMI: Do You Believe in Life After Autotune?
Wham! Op. 84 “Last Christmas” with Chilly Gonzales
Taylor Swift has "evermore" of a good thing
Women's Rap Renaissance
Red Hot + Blue with Meshell Ndegeocello
The Cyndi Lauper Conspiracy (with Sam Sanders)
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