In this episode, we discuss what is taboo. Is it a word, a topic? Is it the same for everyone? We learn why we need to talk about things considered taboo, and when to actually write taboo words instead of referring to them. You’ll hear from Inessa Freylekhman who’s mom tells her what not to say on a date. You’ll also hear from Nicki Post, who feels that abortion is more taboo in the United States than in Korea. We’ll also take you into our community workshop where several new students write after g...
In this episode, we discuss what is taboo. Is it a word, a topic? Is it the same for everyone? We learn why we need to talk about things considered taboo, and when to actually write taboo words instead of referring to them.
You’ll hear from Inessa Freylekhman who’s mom tells her what not to say on a date. You’ll also hear from Nicki Post, who feels that abortion is more taboo in the United States than in Korea. We’ll also take you into our community workshop where several new students write after given the prompt: Pussy. Also, Sallye Zilberstein and Mary Parker share stories about subjects that feel taboo to them. And in honor of International Masturbation Month, Allison reveals her masturbation story. Andrea offers insight into when it’s ok to use words like fuck and pussy in a story and when using taboo words is just distracting.
Writing Class Radio is a podcast where you’ll hear true personal stories and learn a little about how to write your own stories. Writing Class Radio is equal parts heart and art. By heart we mean the truth in a story. By art we mean the craft of writing. No matter what’s going on in our lives, writing class is where we tell the truth. It’s where we work out our shit, and figure out who we are.
There’s no place in the world like writing class and we want to bring you in.
Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). Writing Class Radio is produced by Diego Saldana-Rojas, Andrea Askowitz and Allison Langer. This episode was produced with additional support from Misha Mehrel and Sonesh Chainani.
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