One of the only high-profile NC-17 releases post-Showgirls, David Cronenberg’s Crash was the kind of dark adult art film that the rating was supposedly created to support. We’ll talk about how Crash fits into Cronenberg’s filmography, why it was controversial when it premiered at the Cannes Film Festival in 1996 and when it was released in the US in 1997, how it played into the UK general election of 1997, how it functioned as an early warning against charismatic billionaires, and how it embodied a post-Prozac and pre-Viagara moment.
To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy
Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
111: Jean and Jane Become Public Enemies (Jean & Jane Part 6)
110: Jane vs "Barbarella" (Jean & Jane Part 5)
109: Jean vs "Lilith" (Jean & Jane Part 4)
108: Jean and Jane in Paris (Jean & Jane Part 3)
107: Jean and Otto Preminger/Jane in New York (Jean & Jane Part 2)
106: Hollywood Royalty/Middle-American Martyr (Jean & Jane Part 1)
105: Dorothy Stratten (Dead Blondes Part 13)
104: Barbara Loden (Dead Blondes Part 12)
103: Grace Kelly (Dead Blondes Part 11)
102: Barbara Payton (Dead Blondes Part 10)
101: Jayne Mansfield (Dead Blondes Part 9)
100: Marilyn Monroe: The End (Dead Blondes Part 8)
99: Marilyn Monroe: The Persona (Dead Blondes Part 7)
98: Marilyn Monroe: The Beginning (Dead Blondes Part 6)
97: Carole Landis (Dead Blondes Part 5)
96: Veronica Lake (Dead Blondes Part 4)
95: Jean Harlow Flashback (Dead Blondes Part 3)
94: Thelma Todd (Dead Blondes Part 2)
93: Peg Entwistle (Dead Blondes Part 1)
92: Six Degrees of Joan Crawford: Mommie Dearest
Create your
podcast in
minutes
It is Free
Cinema: A to B
I Finally Watched...
Star Wars Escape Pod
Pop Culture Happy Hour
Pod Meets World