First, They Came for The Smithsonian...

Before the fascists came, America was finally on the right track. As the saying goes, when you have them by the balls, their hearts and minds will follow. That’s what happened with our violent but mostly peaceful revolution in the Summer of 2020.

When Joe Biden took office, we had complete control over the message and could fire anyone at will if they used the wrong pronoun, doubted the election results, or dared to defy mask mandates or lockdowns. Or even wore a red hat. We erected a high fence around the Capitol. We shunned, destroyed, de-banked, fired, bullied, harassed, and abused anyone who ever supported Trump.

The hearts and minds did follow, they had to. We’d laid the groundwork for our revolution decades before. Most Americans were unaware of it. So were most parents until lockdowns. Then, unfortunately, they saw, but by then it was too late. A whole army had come of age and now, had taken to the streets. Conform or else.

That’s how culture changed, and it changed dramatically, almost overnight — all were in compliance. Movies, fashion, books, the arts, comedy, and yes, museums finally did what they were supposed to do - tell us how to think, what to think, and whose side to be on.

America wasn’t ready for that back in the 1950s when Communist hunters in government and Hollywood punished those seeking to use culture as a conduit for dogma. It’s the Conservatives once again attempting to purge American culture of an infectious mind virus.

When Trump gave a speech at Mount Rushmore, it was a warning, like Mein Kampf. America knew where we were headed, but they put him in power anyway four years later.

Then again, how do we really know he was elected? Like they say on TikTok, “he wasn’t shot, he didn’t win, he is on the list.”

We know how close the election was. Just as when Hitler won in Germany, Trump’s win was close enough to rob him of his mandate to decide America wants change. America doesn’t. America is “woke” and likes it that way, and if they don’t, too bad.

Now, the fascists want the Old America back. They want people to feel proud of their country and be inspired to make the most of themselves, regardless of skin color or class. As if that’s even possible in a White Supremacist empire founded by colonizers on stolen land on the backs of oppressed and enslaved people. But we’re going to fight them, just like we will fight them, trying to close the border or clean up crime or end the crisis of unhoused persons.

Fortunately, we have complete control of the BBC, NBC, CBS, ABC, The New York Times, and the Washington Post. They will project our message - they have to. They know that and have since 2020. And that message will have to be that Trump wants to eradicate all mentions of slavery, pretend it never existed at all.

When Jillian Michaels tried to explain to the Good People at CNN that purging the “woke” from the Smithsonian wasn’t about erasing slavery, it didn’t go so well:

But she’s a fascist-apologist, which means we must do what we can to exclude her, purge her, and silence her. There is only one point of view allowed in our America. Anyone who tries to criticize us or dismantle what we built over the past 20 years must be destroyed. That is anti-fascism.

So that meant she had to go on News Nation to try to further explain what she really meant.

It doesn’t really matter what Jillian Michaels thinks. What matters is what we tell her to think, and if she doesn’t go along with it, she must be punished.

We want every child or teenager forced to visit the Smithsonian with their school or their parents to know they should be ashamed of not just the color of their skin (if they are white) but of their country, its history, and its so-called heroes. We want every Black child or teenager who is forced to visit the museum to also know that they are forever and eternal victims; we need them to be.

We need an endless supply of oppressed people to continue demonizing the oppressors and preserve our power. Not to mention, raise money from wealthy, guilty white people who need absolution for their sins of wealth and privilege. Otherwise, what’s the point?

Yes, it’s to make everyone feel welcome, but they must know their place as symbols of oppression and never be allowed to rise beyond the menial jobs white people won’t take. That keeps them in their lane. It’s better than life in the third world. And it helps justify our movement.

One exhibit depicts what looks like the Baby Jesus and family caught by border agents while trying to cross over the wall.

Art must tell us what to think. This image conveys the migrants as martyrs under an oppressive system. It’s a message that we project across all facets of culture under our control. We guide viewers on how to interpret this image and draw a conclusion about America.

The message must be that all people who cross the border do so seeking democracy and a decent life. They are good. If you see them as terrorists or rapists or gang members, you are bad. You are a racist.

If there is a Sydney Sweeney ad that celebrates “good genes,” well, the Gap will answer it with how we’re all supposed to reflect female beauty as every color of the rainbow, because the Sydney Sweeney ad was racist.

Here is another exhibit which reflects how we see our protected groups — it’s never about achievement. It’s only about identity. Identity is achievement.

From the White House:

I mean, of course, we know that Irish and Italian immigrants were attacked and prevented from voting and working in the US. They were white. But we can’t tell that story because it muddies the message. All children need to know is that Benjamin Franklin was a racist.

Art should depict any person who is marginalized as saintly and god-like.

Here is an example of one of our children who is probably the last generation to know the truth before the fascists came.

All school children should learn, as early as possible, about the various identity groups in case they might belong to one — surely they are aware of this even as toddlers. What we used to call a fetish is also now identity:

The American History Museum’s “LGBTQ+ History” exhibit seeks to “understand evolving and overlapping identities such as lesbian, gay, bi-sexual, transgender, queer, transsexual, transvestite, mahu, homosexual, fluid, invert, urning, third sex, two sex, gender-bender, sapphist, hijra, friend of Dorothy, drag queen/king, and many other experiences.”

If this were actual art, there would be an exhibit labeled “The Woke Eye view” and offer some critical thinking of Critical Theory. But that would be blasphemy. Artists have always spoken truth to power, and we have all of the cultural power, so we decide the message.

Because identity matters, the transgender fight is on par with Jim Crow in our ideology, so if you remove any of it, it is like you are erasing Black history, too.

Illegal immigration is identity. Crime is identity. Theft, carjacking, murder, and rape are identity, unless you’re white. Then you drive the news cycle for several weeks as we lament the harms of “white supremacy” on our society.

If you try to stop any of it, then you will be screamed at, “F— you! You f—ing fascists! Why are you here? I don’t want you in my city!”

So said one brave resistance fighter who then, in a fit of pure rage, hurled a footlong sub at the Gestapo then fled the scene.

We turned that into art, too.

Ordinarily, we might care that the sandwich would make for a pretty good meal for an unhoused person, or that it costs carbon emissions to grow the animal, slaughter it, then drive the meat to Subway, and finally put the sandwich together, probably all labor by people of color or other marginalized groups. We might protest him or cancel him on social media for his carbon footprint. But that would be in ordinary times. These are not ordinary times.

Anti-fascism is preventing crime in the cities because policing crime is another form of oppression. Anyone who supports making the streets safer is a fascist. All of the Good White Liberals agree:

Fascism is here. Even Bill Maher says so. Sure, he kind of has to because if he doesn’t, he might not get invited to the parties anymore. Or his show might be canceled outright. Or maybe he believes it.

We get to say what kind of lawfare amounts to fascism. Terry Moran gets to say.

Sure, we raided Trump’s home and indicted him, took his mug shot. Threw Steve Bannon and Peter Navarro in jail for Contempt of Congress, tried to throw Trump in jail, tried to throw him off the ballot, probably tried to shoot him; we might have de-banked a few and kicked people off social media. Fired them for offensive words, ideas, or headlines. But you can’t make an omelet without breaking a few eggs.

It all works together. Keep teaching that America is an empire of “white supremacy” and Black and Brown people must turn to crime and drug addiction just to survive it, well, then, we don’t want the National Guard in our cities, because what would happen if they cleaned up crime? No crime, no democracy.

We need the museum to explain why we need DEI, why we have crime, and why we need to accept crime and homelessness as a part of normal life in a sick and broken country like ours. As long as our country is sick and broken, then our movement is justified.

We must eradicate fascism and restore democracy. 2020 was only the beginning. We just need to ensure we have complete control over the young. We want them as early as infancy. We want them in preschool. We want everything they see and everything they learn to be our message. Our America.

Was it Orwell who said, “Who controls the past controls the future; who controls the present controls the past.” That is our fight now. Who controls the present? We need to protect our message that not all are created equal. Our history must remind us every day that we should feel shame about our past, because how else to justify our survival?

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