TV Prose and Scene Description 101 (PT48)

Update: PT48 transcript now available Alex and Nick discuss why scene descriptions in TV scripts are so important, what to focus on in your TV prose, and treading the line between writing a script as a technical document versus a reading experience. What makes good or bad prose? What are some examples of compelling scene descriptions? Should prose be efficient or florid? How do you convey textual information? When should you "direct" in a TV script? Plus, a quick review of Shonda Rhimes' TV writing masterclass. The Paper Team illustrates their thoughts... SHOWNOTES Content Announcements (00:49) Odds-and-ends: Shonda Rhimes' TV writing masterclass (02:23) 1 - What is screenwriting prose and why is it important (07:50) 2 - Why scene descriptions need to be efficient (09:33) 3 - Script: technical document or reading experience? (17:53) 4 - Describing versus telling (22:51) 5 - The screenwriter's voice (27:39) Takeaways and Resources (30:15) Links Shonda Rhimes' TV writing masterclass Six Feet Under Alien script by Walter Hill and David Giler David Foster Wallace Shane Black American Gods (TV Series) Courier Prime "Two for the Road" (2x20 - Lost) "Exposition in TV Writing" (PT24) Sherlock (TV Series) "Sherlock: How To Film Thought" (Video) "A Brief Look at Texting and the Internet in Film" (Video) Fringe chyrons Resources Hemingway Editor Thesaurus.com "The Synonym Finder" - J. I. Rodale This episode brought to you by Tracking Board's Launch Pad Writing Competitions Use code PAPERTEAM to get $15 OFF when you enter a Launch Pad Competition Special thanks to Alex Switzky for helping us edit this episode. If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :) You can find Paper Team on Twitter: Alex - @TVCalling Nick - @_njwatson If you have any questions, comments or feedback, you can e-mail us: ask@paperteam.co