"Never stop learning" isn't just an old adage. It's solid advice. When the Relapse debut from Richmond bashers Terminal Bliss came across our desk, it had us scratching our heads. "Brute Err/ata" is a unique monicker. And after cranking the record we knew we had to get the band on the horn and enlighten us. Prepping for our chat, we soon discovered we were going to enjoy a lot about the band, as opposed to a quick vocabulary chat. Axeman Mike Taylor gave us all the ins and outs about this killer record, as well as discussing the vastly underrated Richmond scene. In our "News, Views, and Tunes", we dispel some myths as the local punk scene opens their doors to those less fortunate during this winter cold snap. Musically, we crank said Terminal record and cool stuff from Razor, Gravesend, Iron Reagan, Bleach Everything, Socioclast, Graveripper, Ominous Ruin, and introduce Malice Divine in our "Indie Spotlight". Horns Up and Stay Healthy!
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Episode 516: Up From The Depths - Depths of Hatred interview
Episode 515: Hideous And/Or Divine - Hideous Divinity interview
Episode 514: Mighty Mince - Haggus interview
Episode 513: Bruiser Brody 2018 - Rivers of Nihil interview
Episode 512: Withdrawal Technique - Withdrawal interview
Episode 511: Eh! Glo Abortions - DayGlo Abortions interview
Episode 510: Twisted Mister - Gruesome interview
Episode 509: Godsmackdown! - Godsmack interview
Episode 508: Welcome Matt - Homewrecker interview
Episode 507: A Lot to Ingest - Ingested interview
Episode 505: Siren Songs - Sirenia interview
Episode 504: Unhooded - Midnight interview
Episode 503: The G Man Cometh! - Gus G interview
Episode 502: The Big Rossman - Ross the Boss interview
Episode 501: No Bone Unearthed - Skeletal Remains interview
Episode 500: The Big 5 Oh! Oh! - Bob Nalbandian interview
Episode 499: Original Hammer - Demolition Hammer interview
Episode 498: Summer of Saint - Armored Saint interview
Episode 497: No Cure for Metal - Uncured interview
Episode 496: So Good It Should Be - Philip H. Anselmo and The Illegals interview
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