Candela: Photography & Cinematography Masters
Arts:Visual Arts
Photographing someone you've never met and who is likely just going about their day is a strange thing, especially in this bizarre, often isolated modern world. In this episode, we look at how you can get better at it, the pros and cons of making yourself known, how attitudes on the street have changed over time, and working with models and actors who are strangers to you on intimate portraits and emotionally raw films.
There Will Be Blood cinematographer Robert Elswit
Where in the world to shoot?
Cristina Mittermeier
Compromise
Inception & The Dark Knight cinematographer Wally Pfister
The relationship between camera and subject
Vincent Peters
How important is the camera you use?
Game of Thrones and Ozark director Daniel Sackheim
Titling work (or 'There are 4 kinds of title')
Joel Meyerowitz
Matt Stuart
Instagram vs. Reality (aesthetics edition)
Manfred Baumann
Euphoria cinematographer Adam Newport-Berra
A note on coronavirus
Martin Parr
Why shoot black & white?
Wes Anderson's cinematographer Bob Yeoman
Fight Club cinematographer Jeff Cronenweth
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