Bookbinder of the Week:
Asao Shimura is a papermaker who studied industrial chemistry in university, but then went on to become a papermaker while studying in the US, Korea, China, Japan, and a host of other countries. He lives in the Philippines and teaches papermaking all over the world, including the US. Active on Facebook, his posts are in English.
Bookbinding
This week I completed four books; two experimental and two for sale....
Bookbinder of the Week:
Asao Shimura is a papermaker who studied industrial chemistry in university, but then went on to become a papermaker while studying in the US, Korea, China, Japan, and a host of other countries. He lives in the Philippines and teaches papermaking all over the world, including the US. Active on Facebook, his posts are in English.
Bookbinding
This week I completed four books; two experimental and two for sale. Except one has already been sold.
It’s a 2021 Schedule (April to April) that was requested last year but only completed this week because of family concerns. It has a two yearly calendars (2021 and 2022), 13 monthly calendars, and a bunch of weekly calendars. The total is 100 pages including five graph pages for planning and doodling.
The other one for sale but not yet sold is a red blank notebook of 100 pages, 105mm x 145mm, and a soft cover (i.e. no book board). Suitable for planning novels, parties, films or doodling.
The two experimental ones were various page lengths of leftover papers (about 120 pages), leftover decorative pieces (a subway token and a car tax certificate for last year), and scraps of paper for the cover. This one is A5 in size.
One cover was a true experiment in that I pasted together half a dozen small papers then cut them in a decorative way hoping the ridges and valleys would create an amusing cover. I failed. Or, rather, I succeeded in discovering one method that didn’t work. This one is 85 mm x 135 mm, and fits nicely in my hand.
The purpose of these two experimental books was to push my comfort zone further into the void that is my lack of knowledge about bookbinding, books, and glue.
Fiction
I continued working on Molly Bright the novel and Molly Bright the character (Chapter Two doing the in-depth introduction) in 10 pages; the same as the Introductory Chapter that introduces The Plot! I’ve succeeded in making her deeper while at the same time making the character she’s talking to (a Japanese-English interpreter/guide) deeper as well. I even included some foreshadowing.
I worked a bit on the third character who is introduced in the third chapter, Early Mather, who is still penniless and homeless in India but wishing to get to Japan. Being optimistic about his situation he is sure some day he will surf in Japan. But being realistic he is saving as much as he can from his begging income, which is meager.
Molly and Early will, as shown in the first chapter, meet in a surfing site along with Sawako Kado, who gets kidnapped – also in the first chapter – by a cult that wishes to use her computer expertise and chemical talent to fashion a dirty bomb or computer virus.
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