Guest artist HANNAH HUGHES
joins ELIZABETH FULLERTON to chat about her work via Virginia Woolf's 1931 novel 'The Waves'. Not so much a story as a stream (or perhaps, more accurately, a wave) of consciousness, the book is classified as an experimental fiction. It describes the thoughts of six characters through soliloquies, whose lives all pivot around the muted Percival.
Hannah and Elizabeth then open up the artist's practice as collages, cuts and slide-throughs of shadowy forms and real edges. They track how shapes are formed from in-between spaces around objects and the body, how multiple processes distance the form from its source, the invention of visual language and the importance of fragmentations which create a sense of the whole.
ARTISTS
CULTURE EXCHANGE - Ghostly Tales and Artistic Lineage (Richard Ayodeji Ikhide)
CULTURE EXCHANGE - Human Vessels and Architectural Fragments (NIKA NEELOVA)
Welcome to Art Fictions CULTURE EXCHANGE !
Mechanical Bodies and Dissected Detritus (HOLLY HENDRY)
Shadowy Nuance and Colourful Movement (FIONA GRADY)
Embodied Violence and Persistent Ambivalence (LUKE BURTON)
Bold Resilience and Rightful Restoration (KAREN McLEAN)
Contemplative Cracks and Lo-Fi Tech (DEAN KENNING)
Seductive Feathers and Brutal Beasts (KATE MccGWIRE)
Meandering Mourning and Collaged Reality (FIONA CURRAN)
Theatrical Forms and Shifting Times (LINDSAY SEERS)
Earthly Nourishment and Landscape Potential (LIZ ELTON)
Makeshift Staging and Might Happens (MILLY PECK)
Welcome to 2021 with a special Guest Host !
CECILIA CHARLTON (and Italo Calvino)
HANNAH BROWN (and WH Auden)
DANIEL STURGIS (and Nicholson Baker)
FRANCES RICHARDSON (and Virginia Woolf)
JANE HAYES GREENWOOD (and Maggie Nelson)
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