Blood on the Tracks Episode 89: North American Slashers from the 1990s (’97-’99).

Lee finishes off his look at the soundtracks and scores of North American-made slasher films from the 1990s, covering some of the stuff that rode the popularity of "Scream", the expected sequels, and other odds and ends.

--A Young Man on the Edge & Final Confrontation from "I Know What You Did Last Summer" (1997) --John Debney
--My Baby's Got the Strangest Ways from "I Know What You Did Last Summer" (1997) --Southern Culture on the Skids
--Main Titles from "Office Killer" (1997) --Evan Lurie
--End Credits from "Jack Frost" (1997) --Chris Anderson & Carl Schurtz
--Cassandra Aria from "Scream 2" (1997) --Marco Beltrami
--Red Right Hand from "Scream 2" (1997) --Nick Cave & The Bad Seeds
--Right Place, Wrong Time from "Scream 2" (1997) --The Jon Spencer Blues Explosion
--Opening Credits from "The Catcher" (1998) --Paul Amorosi
--Plastic Love from "Bride of Chucky" (1998) --Graeme Revell
--Sexual Act from "Urban Legend" (1998) --Christopher Young
--Spookshow Baby from "Urban Legend" (1998) --Rob Zombie
--Prelude & The Murder from "Psycho" (1998) --Danny Elfman
--How Do I Deal & I Will Survive from "I Still Know What You Did Last Summer" (1998) --Jennifer Love Hewitt
--On the Pier from "I Still Know What You Did Last Summer" (1998) --John Frizzell
--Blue Monday from "I Still Know What You Did Last Summer" (1998) --Orgy
--Main Title from "Halloween: H20" (1998) --John Ottman & Marco Beltrami
--Opening Credits from "Kolobos" (1999) --William Kidd
--Long Suffering from "Cherry Falls" (1999) --Walter Werzowa
--Main Title from "Candyman 3: Day of the Dead" (1999) --Adam Gorgoni

Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.