Episode 18 - Love’s Labour’s Lost

It is the humble opinion of your hosts that Shakespeare starts coming into his own as a truly innovative playwright in Love's Labour's Lost. Up until this point, the plays have been fairly straightforward in presentation, structure, and subject matter; in LLL, all of that is played with, to great effect. Starting with this play, Shakespeare starts showing the sense of playfulness as a writer, experimenting with his craft, that marks some of the great works that follow.

A conventional love story on the surface--four noble men fall in love with four noble women; hilarity ensues--bucks the trends of comedy (there's no marriage at the end) and comments on its own production ("That's too long for a play") and does so with tremendous flair and wit that Shakespeare is well-known for today, but which must have been terrifically fresh when the play was first written and performed in the middle-1590s.

Join us as we chat about the fun themes presented in this innovative play!

Marriage Counselling

In today's bickering session, we debate the question of whether or not Love's Labour's Lost is a comedy or... something else?

Other Notes

The 2000 Kenneth Branagh film has been pretty thoroughly scrubbed from the internet, but we did locate a German trailer for the dub of the film:

https://www.youtube.com/watch?v=53hDoUMvZhk

As well as this audio from the original trailer, mixed up with a webseries that seems loosely based on the same events as the play: https://www.youtube.com/watch?v=mVuR945tOqk&feature=emb_logo