Épisode spécial Présence autochtone 2022 à la place des festivals

Nous sommes sur la place des Festivals durant nos activités du Festival international présence autochtone. 

 

Nous recevons des invités qui ont performé durant nos activités.

Alexandre Ethier pour parler du spectacle Quelques parts et autres lieux. 

 

De l’oralité à la musique écrite; du geste à la sonorité; du mouvement à la ligne musicale; il est ici question de découvrir l’autre, de s’ouvrir aux sensibilités de chacun et de partager cette richesse. 𝗧𝗲𝗿𝗿𝗲𝘀 𝗲𝗻 𝘃𝘂𝗲𝘀, 𝗙𝗼𝗿𝗲𝘀𝘁𝗮𝗿𝗲 et 𝗡𝗼𝘂𝘃𝗲𝗹 𝗘𝗻𝘀𝗲𝗺𝗯𝗹𝗲 𝗠𝗼𝗱𝗲𝗿𝗻𝗲 (𝗡𝗘𝗠), trois organismes issus d’horizons divers, s’associent pour présenter un spectacle dans lequel poésie et musique contemporaine sont réunies d’un même souffle.

Concert présenté dans le cadre du 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 𝗶𝗻𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗣𝗿𝗲́𝘀𝗲𝗻𝗰𝗲 𝗮𝘂𝘁𝗼𝗰𝗵𝘁𝗼𝗻𝗲, avec la collaboration de la Virée classique de l’𝗢𝗦𝗠, en partenariat avec 𝗕𝗶𝗯𝗹𝗶𝗼𝘁𝗵𝗲̀𝗾𝘂𝗲 𝗲𝘁 𝗔𝗿𝗰𝗵𝗶𝘃𝗲𝘀 𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹𝗲𝘀 𝗱𝘂 𝗤𝘂𝗲́𝗯𝗲c.

 

Beatrice Deer

 

Acclaimed “Inu Indie” pop star Beatrice Deer is a singer-songwriter based in Montréal. Half Inuk and half Mohawk, Beatrice was born and raised in Nunavik, Québec, in the small village of Quaqtaq. She has released six studio albums, including her newest, titled “SHIFTING.” Her award-winning songs are crafted upon deeply personal lyrics and blend indie rock and modern folk with traditional Inuit stories and throat singing. 

The recipient of a 2021 Prism Prize and an Apple Music Ambassador, Beatrice Deer sings in three languages: Inuktitut, English, and French. A beloved figure in Arctic Canada, she has performed worldwide, from the Venice Biennale to Norway’s Førde Traditional and World Music Festival to the Heard Museum in Phoenix, Arizona. Her bandmates and collaborators, all longstanding members of Montréal’s music community, have worked with diverse and dynamic musical acts such as Leif Vollebekk, Land of Talk, Stars, The Barr Brothers, The Besnard Lakes, Bell Orchestre, Little Scream, and Suuns. 

 

Leonard Sumner

Anishinaabe MC/Singer/Songwriter Leonard Sumner’s storytelling flows directly from the shores of Little Saskatchewan First Nation, located in the heart of the Interlake of Manitoba. Sumner’s self-determined sound is evidence of his ability to simultaneously occupy landscapes of multiple musical genres including Hip-Hop, Spoken Word, Country, and Rhythm and Blues. With every vibration of the strings on his guitar, Leonard rattles the dust-off truths that have been buried for far too long. On stage he poetically ‘sings awake’ the consciousness of audiences that may have been unaware of their slumber. In this era of unsettling history and healing wounds of the past, Sumner’s music is an expression of medicine that walks the line between fortitude and fragility.