Emmy winning composer Anton Sanko shares some insight behind his score for The Possession. The composer is no stranger to the genre with amazing work on film like The Last Winter. He shares his approach and we chat about the challenge of humanizing characters while still achieving the goal of thrilling the audience. He talks about the duality of the piano and how it can be dark or warming plus describes certain scenes that relied almost on 100% score with no diegetic sound. Some great insight from a composer who knows how to execute within the thriller/horror genre.