In the day and age where sci-fi introspections on working class exploitation like Severance are all the rage, Bong Joon Ho (Parasite, Snowpiercer) seems primed to deliver his own eccentric critique of capitalistic exploitation that would fit snugly into his previous lexicon, only this time with his biggest budget ever. It’s unfortunate that Mickey 17 is a surprising misstep in an otherwise stellar record of insightful and timely works.