This week, my guest is music supervisor Lucy Bright.
Lucy started out at Mute Records working with artists such as Nick Cave and Depeche Mode, before moving to Warner Classics for six years and then leaving to manage composer Michael Nyman. She joined the film and TV department of publisher Music Sales (now Wise Music) in 2008 and worked there for a decade. In 2020 she launched her own music publishing company, Bright Notion Music, signing the composers like Anne Nikitin, Jed Kurzel and Tamar-kali Brown.
Lucy has supervised some of the most critically-acclaimed British films and TV shows in recent years including The Unloved, The Arbor, Slow West, Southcliffe, McMafia, This is England ‘90, Daphne, The Virtues, The Nest, Life After Life and BAFTA-winning short The Swimmer.
Most recently, she has worked on two forthcoming films: Charlotte Wells’ directorial debut AFTERSUN, which is showing at this year’s London Film Festival and then coming to UK cinemas via MUBI on 18th November, and I can testify it has a truly phenomenal soundtrack and Todd Field’s TÁR, set within the world of classical music in which Cate Blanchett plays the first female conductor of a German orchestra.It recently premiered to critical acclaim at the Venice Film Festival and is one of my most hotly anticipated films of the year.
We spoke about how Lucy got her start in the music industry and then gradually discovered the role of music supervision, getting her first credit as a music supervisor on Samantha Morton’s TV film THE UNLOVED, how she collaborates with directors and other HoDs to build a soundtrack, why certain songs cost more than others, how needle drops happen and what song she is particularly proud of clearing for use in a film…
Episode 060: Grace Snell, Costume Designer
Episode 059: Mahalia John, Central / Clapper Loader
Episode 058: Rebecca Horsburgh, Grip (Key Grip & Best Boy Grip)
Episode 057: Lara Manwaring, Casting Director
Episode 056: Rina Yang, Cinematographer
REISSUE: Episode 045: Corrina Antrobus, Founder of Bechdel Test Fest
Episode 055: Anna Bertmark, Sound Designer & Supervisor
Episode 054: Cat Marshall, Production Supervisor at Warp Films & Producer
Episode 53: Emma Norton, Producer at Element Pictures
Episode 52: Meroë Candy, Story Research & Production Consultant
Episode 51: Rosie Crerar & Ciara Barry, Producers
Episode 050: Lizzie Francke, Senior Production and Development Executive at the BFI's Film Fund (Live at the Glasgow Film Festival)
Episode 049: Roxana Adle, Talent Agent at Independent Talent
Episode 048: Sanne Jehoul, Co-Director of Glasgow Short Film Festival
Episode 047: Clarisse Loughrey, Chief Film Critic at The Independent
Episode 046: Nia Hughes, Organising Official at BECTU
Episode 045: Corrina Antrobus, Founder of Bechdel Test Fest
Episode 044: Gini Godwin, Production Designer
Episode 043: Kharmel Cochrane, Casting Director
Episode 042: Emilie Levienaise-Farrouch, Composer
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