In 1987 Clive Barker took the world by storm with his film Hellraiser, but his first draft of that movie wasn't in screenplay form--it was a short story. Written with the express intent of being a low-budget movie, Barker explores the concepts of love, deceit, murder, and damnation. It became his defining work, but how good is it? And how does the prose differ from the film? Open the box, unchain this podcast, join Arnie in Hell, and find out!
Then join Arnie, Stuart, and Jakob for all their Hellraiser movie reviews! Details at http://nowplayingpodcast.com/donate
Return of the Living Dead by John Russo
New Avengers: Breakout Prose Novel by Alisa Kwitney
Astonishing X-Men: Gifted Prose Novel by Peter David
If Chins Could Kill: Confessions of a B Movie Actor by Bruce Campbell
Marvel's Civil War Prose Novel by Stuart Moore
Hellblazer: Dangerous Habits by Garth Ennis
Hellblazer: Original Sins by Jamie Delano
58 Minutes by Walter Wager
Nothing Lasts Forever by Roderick Thorp
The Detective by Roderick Thorp
Octopussy by Ian Fleming
The Man With the Golden Gun by Ian Fleming
You Only Live Twice by Ian Fleming
Property of a Lady and 007 in New York by Ian Fleming
On Her Majesty's Secret Service by Ian Fleming
The Spy Who Loved Me by Ian Fleming
The Living Daylights by Ian Fleming
Thunderball by Ian Fleming
For Your Eyes Only by Ian Fleming - Part 3
For Your Eyes Only by Ian Fleming - Part 2
Join Podbean Ads Marketplace and connect with engaged listeners.
Advertise Today
Create your
podcast in
minutes
It is Free
Lit Society: Books and Drama
Ex Libris
Write The Book: Conversations on Craft
Anne of Green Gables
The Federalist Papers
Fresh Air
Myths and Legends