How to Write Middles for Fiction If the beginning is the most intimidating the middle is the slog, the quicksand, the Wall that runners hit.  What do I include is still in question.  What happens with the conflicts?  Where did my steam go?  Why am I STUCK? This week Holly and I (host, Rebecca Galardo) go over what differentiates weak middles from strong ones and how you can dissect your own.  We provide from-scratch examples as well as discuss previous works, using these as case studi...
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