Joe Iconis is a musical theater writer and performer. He has been nominated for a Tony Award, four Drama Desk Awards, two Lucille Lortel Awards, two Outer Critics’ Circle Awards, and is the recipient of an Ed Kleban Award, a Jonathan Larson Award, and a Richard Rodgers Award. Be More Chill (with Joe Tracz) is currently playing London’s West End, after running at Broadway’s Lyceum Theatre and off-Broadway’s The Pershing Square Signature Center after a world premiere at Two River Theater. Joe is the author of Love in...
Joe Iconis is a musical theater writer and performer. He has been nominated for a Tony Award, four Drama Desk Awards, two Lucille Lortel Awards, two Outer Critics’ Circle Awards, and is the recipient of an Ed Kleban Award, a Jonathan Larson Award, and a Richard Rodgers Award. Be More Chill (with Joe Tracz) is currently playing London’s West End, after running at Broadway’s Lyceum Theatre and off-Broadway’s The Pershing Square Signature Center after a world premiere at Two River Theater. Joe is the author of Love in Hate Nation (directed by John Simpkins; Two River Theater), Broadway Bounty Hunter (with Lance Rubin and Jason SweetTooth Williams; Barrington Stage Company and Greenwich House Theater Off-Broadway), Bloodsong of Love (Ars Nova, NAMT), The Black Suits (with Robert Maddock; Center Theater Group, Barrington Stage Company), ReWrite (Urban Stages, Goodspeed Opera House), and Theaterworks USA’s The Plant That Ate Dirty Socks and We the People. Musicals currently in development include The Untitled Unauthorized Hunter S. Thompson for La Jolla Playhouse (directed by Christopher Ashley), Punk Rock Girl! His music appeared on season two of NBC’s Smash. Albums: Be More Chill (OCR and OBCR, which over 500 million streams); Broadway Bounty Hunter (OCR); Things to Ruin (OCR); Two-Player Game, The Joe Iconis Rock & Roll Jamboree, and the upcoming Broadway Bounty Hunter (OCR) all available on Sh-K-Boom/Ghostlight Records. Joe is hugely inspired by Robert Altman, Dolly Parton, The Muppets, and the Family of artists he frequently surrounds himself with. www.MrJoeIconis.com
@mrjoeiconis
Jennifer Ashley Tepper is producer of the musicals Be More Chill, Broadway Bounty Hunter, and Love In Hate Nation, recent projects that are part of a decade-long collaboration with the group known as Joe Iconis & Family. From producing small concerts in basements to producing a show on Broadway, Tepper has cultivated the theatrical collective which The New York Times called “the future of musical theatre”.
She is also the Creative and Programming Director at Feinstein’s/54 Below, where she has curated or produced over 3000 shows, including musicals in concert, original solo acts, theatrical reunions, songwriter celebrations, and more. Tepper's leadership at the venue has gained praise from publications including The Huffington Post, The New York Times, Buzzfeed, Playbill, Newsday, The New York Post, and more.
As a writer, Tepper has authored three volumes of The Untold Stories of Broadway book series, published by Dress Circle. NBC New York has called the books an "inspiring Must-Read". Published in 2013, 2014, and 2016, each book has occupied the #1 spot on Amazon.com's Best Sellers List in Broadway & Musicals.
On Broadway, Tepper has worked on [title of show], The Performers, Godspell, Macbeth, and The Parisian Woman, and off-Broadway Smokey Joe’s Café and Boys’ Life.
Tepper is the conceiver and director of The Jonathan Larson Project which premiered in fall 2018 and received an original cast recording from Ghostlight Records. She is historian consultant on the upcoming tick, tick… BOOM! movie and co-creator of the Bistro Award- winning concert series, If It Only Even Runs A Minute, now in its 11th year.
Tepper recently received a 2020 Lincoln Center Emerging Artist Award. She was named one of the 10 professionals on Backstage Magazine's "1st Annual Broadway Future Power List", which stated: "Proving herself both a zeitgeist predictor and theatrical historian with her eclectic programming, Tepper is leading the conversation on contemporary musical theatre."
@jenashtep
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