Paula Delgado-Kling joins Let’s Talk Memoir for a conversation about how her research and reporting on child soldiers, drug trafficking, and the revolutionary armed forces of Columbia (FARC) led her to tell the story of one woman and her family, the relationships we forge with whom we write about, allowing memoir to answer our questions, negotiating language barriers and class differences, coming to truth and understanding, grounding ourselves, hitting upon the structure a book needs, searching for humanity amidst ongoing v...
Paula Delgado-Kling joins Let’s Talk Memoir for a conversation about how her research and reporting on child soldiers, drug trafficking, and the revolutionary armed forces of Columbia (FARC) led her to tell the story of one woman and her family, the relationships we forge with whom we write about, allowing memoir to answer our questions, negotiating language barriers and class differences, coming to truth and understanding, grounding ourselves, hitting upon the structure a book needs, searching for humanity amidst ongoing violence, and her new book Leonor: The Story of a Lost Childhood.
Also in this episode:
-working as a journalist
-becoming embedded in the story we’re covering
-negotiating dangerous environments to gather information
Books mentioned in this episode:
Tastes Like War by Grace M. Cho
It can take a really long time but that doesn’t mean it isn’t important or good.
Paula Delgado-Kling holds degrees in comparative literature/French civilizations, international affairs, and creative writing from Brown University, Columbia University, and The New School, respectively. Leonor, for which she received two grants from the Canadian Council for the Arts, is her first book. Excerpts of this book have appeared in Narrative, The Literary Review, Pacifica Literary Review, and Happano.org in Japan. Her work for the Mexican monthly news magazine Gatopardo was nominated for the Simon Bolivar Award, Colombia’s top journalism prize, and anthologized in Las Mejores Crónicas de Gatopardo (Random House Mondadori, 2006). Born in Bogota, Colombia and raised in Toronto, Canada, Delgado-Kling now splits her time between Boca Raton, FL and New York City. To learn more, please visit PaulaDelgadoKling.com or follow her on Instagram @PaulaDelgadoKling.
Connect with Paula
Website: http://pauladelgadokling.com/
Facebook: https://www.facebook.com/profile.php?id=100091961238236
Twitter: https://twitter.com/ColombiaTalk
Instagram: https://www.instagram.com/pauladelgadokling/
Get the book: https://www.amazon.com/Leonor-Story-Childhood-Paula-Delgado-Kling/dp/1682194477?crid=1M4ML48WOEEV7&keywords=leonor&qid=1683308327&s=books&sprefix=leonor,stripbooks,97&sr=1-1&linkCode=sl1&tag=ongoicom-20&linkId=986106192c06afd126c43cfe6d22043d&language=en_US&ref_=as_li_ss_tl
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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.
She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.
More about Ronit: https://ronitplank.com
Subscribe to Ronit’s Substack: https://substack.com/@ronitplank
Follow Ronit:
https://www.instagram.com/ronitplank/
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https://bsky.app/profile/ronitplank.bsky.social
Background photo credit: Photo by Patrick Tomasso on Unsplash
Headshot photo credit: Sarah Anne Photography
Theme music: Isaac Joel, Dead Moll’s Fingers
