May I Introduce To You? Part 9

The long-awaited sophomore solo concertina album “B” from Cormac Begley is our album of the week/month/year and in this latest instalment of our series on new musical discoveries, Dónal explains why.

We also get to marvel at some more instrumental virtuosity from saxophonists Alabaster dePlume and Patrick Shiroishi.

There’s a pair of exciting dispatches from the new frontier of sound by Irish producers Kean Kavanagh and Lullahush as well as a reminder of why the name of London-based Nigerian artist Tony Njoku is one to watch.

The return of Kelly Lee Owens is celebrated and due praise given to the production mastery of boundary-pushing electronic pioneers Floating Points and Maya Jane Coles.

 

Support the music-makers on Bandcamp:

 

Invisible Temple

https://perm-vac.bandcamp.com/album/self-hypnosis

 

Kelly Lee Owens

https://kellyleeowens.bandcamp.com/album/lp-8

 

Tony Njoku

https://tonynjoku.bandcamp.com/track/the-reset

 

Lullahush

https://lullahush.bandcamp.com/album/a-city-made-of-water-and-small-love

 

Alabaster dePlume

https://alabasterdeplume.bandcamp.com/album/gold-go-forward-in-the-courage-of-your-love

 

Patrick Shiroishi

https://patrickshiroishi.bandcamp.com/album/hidemi

 

Cormac Begley

https://cormacbegley.bandcamp.com/

 

Mason Lindahl

https://tompkinssquare.bandcamp.com/track/sky-breaking-clouds-falling

 

Floating Points

https://floatingpoints.bandcamp.com/album/vocoder

 

Nocturnal Sunshine

https://www.beatport.com/track/ume/11863478

 

Whistling Arrow

https://godunknownrecords.bandcamp.com/album/whistling-arrow

 

Kean Kavanagh

https://keankavanagh.bandcamp.com/track/heart-attacks

 

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