We're celebrating our 80th All Access interview with the always fun and talented Dominic Lewis who is returning for his 4th time in the hot seat. Dom takes some time to catch up with recent projects like Monsters At Work for Disney+, Peter Rabbit 2, Jolt starring Kate Beckinsale, composing the final season of Ducktales, and more!
Dom shares what it was like following in the footsteps of Randy Newman for Monsters At Work, and what he tried to bring to the show musically. We also talk about the electronic-charged soundscape world Dom built for Jolt, and the bittersweet feel of writing music for the final season of Ducktales.
We also discuss how the pandemic pushed studios hard to lean on streaming and what that means for the future. We weigh the pros and cons of what it means for viewers and of course for the talent who make a living making content.
Dom also shares what he has coming up including scoring a film starring Brad Pitt and his new podcast that is now available!
A Film.Music.Media Interview | Produced & Presented by Kaya Savas
Joseph Stephens (Composer: The Righteous Gemstones)
Composers Talk (2nd Annual Symposium)
Music That Drives Stories (2nd Annual Symposium)
Composing Combos & Songwriting Duos (2nd Annual Symposium)
Sharon Farber (Composer: Brainwashed - Sex-Camera-Power
Rufus Wainwright (Songwriter: ”Secret Sister” from Rebel Hearts)
Alan Silvestri (Music & Lyrics: Back To The Future - The Musical)
Dara Taylor (Composer: The Tender Bar)
Matthew Margeson & Dominic Lewis (Composers: The King‘s Man)
Steve Jablonsky (Composer: Red Notice)
Gregory Tripi (Composer: Warning)
Sebastian Zuleta (Music Editor: Wu-Tang - An American Saga | Finch)
Gustavo Santaolalla (Composer: The Last Of Us Part II | Monsterland)
Tom Holkenborg (Composer: Army Of The Dead | Justice League)
Charlie Clouser (Composer: Spiral - From The Book Of Saw)
Howard Shore (Composer: Funny Boy)
Anthony Willis (Composer: Promising Young Woman)
Geoff Zanelli (Composer: Fatale)
Henry Jackman (Composer: Mosul | The Comey Rule)
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