In his inimitable, recursive, meditative style that reads like a comedic zen koan but contains universes, Seven Samurai Swept Away in a River recounts Korean cult writer Jung Young Moon’s time spent at an artists’ and writers’ residency in small-town Texas. Jung embraces the rambling landscape of Texas, two-stepping, cowboy hats and cowboy churches, antique stores and their an- tique owners, and transmutes them into the even more expansive space of his mind. The author plucks at each surprisingly elucidating concept over pages of reflection – moving seamlessly from chili recipe etiquette (with beans or without?) to the origins of Texas itself – and muses on his outsider experiences in this most unique of places. All the while, the author is asking what a novel is and must be, while accompanied by an invented mental cast of seven samurai who the author carries with him, silent companions in a pantomime of existential theater. Jung blends fact with imagination, humor with reflection, and meaning with meaninglessness, as his meanderings become an absorbing, quintessential novel of ideas.