This week my guest is award-winning, freelance foley editor and mixer Sophia Hardman.
Sophia studied Sound Technology at The Liverpool Institute for Performing Arts and started out her career at Twickenham Studios as an intern 9 years ago.
Since then Sophia has worked on a wide range of projects, from high-end TV dramas to Oscar-nominated feature films. Her credits include THE OUTFIT, HOUSE OF GUCCI, THE LAST DUEL, BELFAST, NO TIME TO DIE, ENOLA HOMES, THE TOURIST, STATE OF THE UNION and THE MAN WHO FELL TO EARTH.
We talk about the strange and unique language of foley, the differences between a foley artist and a foley editor, what it means to create impactful, unexpected sound effects, why she made the move to freelancing after working in-house at post house, how she chooses projects to work on and how she stays across technical / technological trends.
SHOW NOTES
Episode 041: Alexa Raisbeck, Technician/Projectionist
Episode 040: Jess Jones, Script Editor & Development Consultant
Episode 039: Natalie Samson, Head of Production at Into Film
Episode 038: Rebecca Day, Documentary Producer & Psychotherapist
Episode 037: Cate Kane, Head of Acquisitions, Curzon Artificial Eye
Episode 036: Nicole Dorsey, Filmmaker
Episode 035: Robyn Citizen, Programmer & Academic
Episode 034: Pamela B. Green, Director, Producer & Main Titles Designer
Episode 033: Elise McCave, Director of Narrative Film at Kickstarter
Episode 032: Margaret Boykin, Director of Film Development at Ubisoft
Episode 031: Dorota Lech, Lead Programmer at TIFF
SEASON TWO BONUS EPISODE (030): Live at Underwire Film Festival with Roxy Rezvany
Episode 029: Sarah Brocklehurst
Episode 028: Jasmin Morrison
Episode 027: Rowan Woods
Episode 026: Flore Cosquer
Episode 025: Sophie Powell
Episode 024: Ellen Evans
Episode 023: Rachel Pronger
Episode 022: Sima Gonsai
Create your
podcast in
minutes
It is Free
The Sackhoff Show
Toon’d In! with Jim Cummings
Team Deakins
You Can’t Make This Up
Script Apart