After a 15 minute discussion of Covid-19 (not recorded here) we talk about the actual ages of various characters, and the ages that Shakespeare wanted them to be: not only in A & C but in Richard II, 1 Henry IV and the romances: the idea that you can go from the start of adulthood (Octavius) to the maturity that makes you fit for tragedy and old enough to have lived long enough (Macbeth, Antony and Cleopatra) within 16-18 years or so. Shakespeare's highly skillful stage setting in scene 1. Too all over the place, but I am hoping that if classes aren't canceled as they're being at many of our sister institutions, we'll settle down in to focused discussion.
12. 17th c poetry: Done with Donne
9. Film and Philosophy: Berkeley
8. Film and Philosophy Plato's Cave
11. 17th Century Poetry: Satire 3 Concluded and Some Holy Sonnets
10. 17th Century Poetry: Satire 3 ("Kind pity chokes my spleen")
7. Film and Philosophy -- Mainly on Dark City
9. 17th C Poetry: Donne's Valediction Forbidding Mourning
8. 17th century poetry: Donne's "To His Mistress Upon Going to Bed" and "A Valediction: Forbidding Mourning."
6. Ontology and the image, from Plato to Cavell
7. Seventeenth Century Poetry: Donne's poem "Love's Alchemy"
6. 17th Century Poetry -- Donne's "Ecstasy" and "Love's Alchemy"
5. Film and Phil: Bazin on Theater vs. Film - clip of rear window
4. Film -- A couple of scenes from Out of the Past, and discussion of La Jetée
5. 17th Century Poetry Donne's "Go and Catch a Falling Star" and "The Ecstasy"
4. 17th c poetry -- some of Donne's secular poems against fidelity
Film 3. Aura and Maguffin. Close viewing of Out of the Past
3. 17th century poetry
2. 17th century poetry. Why death? - more on Donne's "At the round earth's imagined corners"
2. Philm (get it?) - versions of continuity
Intro to Film and Philosophy: their reciprocity, Marclay's Telephones
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