Composers Antonio Naranjo and Meiro Stamm are joined by director Cory Morrison for a brand new Film.Music.Media conversation!
For this conversation we are spotlighting the collaborative process between composers and the director as we take a look into the scoring and production process for Glisten And The Merry Mission. Antonio, Meiro and Cory sit down to talk about what the process was for their collaborative workflows while scoring the animated holiday film.
Get an in-depth look at how two co-composers establish a process with their director and what the collaboration was like while working on the film. We also take a look at how they approached scoring a Christmas film and what role that genre played in the style and approach of the score.
A Film.Music.Media & Impact 24 PR Production | Produced & Presented by Kaya Savas
The Newton Brothers (Composers: The Haunting Of Bly Manor | Doctor Sleep)
Rachel Portman (Composer: ask the river)
Queenie Li (Music Production Coordinator: Bad Boys For Life | Mission Impossible: Fallout)
Rebecca Sugar (Creator: Steven Universe)
Chad Cannon (Composer: American Factory)
Nathan Johnson (Composer: Knives Out)
John Powell (Composer: How To Train Your Dragon 3)
John Lunn (Composer: Downton Abbey)
Michael Giacchino (Composer: Jojo Rabbit)
Hildur Guðnadóttir (Composer: Joker | Chernobyl)
Carl Thiel (Composer: Seis Manos)
Tim Wynn (Composer: Freaks)
Austin Wintory (Composer: Erica)
Bear McCreary (Composer: Godzilla | Child's Play)
Jasper Leak (Music Supervisor: Quincy)
Matthew Margeson (Composer: Rocketman)
Dean DeBlois & John Powell (Director & Composer: How To Train Your Dragon Trilogy)
Siddhartha Khosla (Composer: This Is Us)
Alan Silvestri (Composer: Avengers: Endgame)
Christopher Young (Composer: Pet Sematary)
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