Chris and Jody weigh in on the concept of knowing music theory. Should a producer, a musician, a mix engineer know music theory? Will it help or hinder the situation in the studio? How about the writing process? Are there pitfalls to dealing with artists that don't know music theory? It's also not unlikely that there will be some nonsense discussed.
Dialing In A High Gain Amp Sound
You Received Tracks To Mix, Now What?
Deep Dive Into Mastering Engineer George Leger III
Demystifying Recording and Writing Templates
What's Difference Between Mastering & 2-Bus Processing
How To Deal With Burnout
Does The Daw Really Matter
Busting Some Common Recording Myths
Giant Background Vocal Production
Sample Rates A Mini Dive
DI Guitar Recording Practices
Grand Overview of Compression
Phase Cancellation Where Did It Go?
Role of a Producer vs Role of a Mix Engineer
What is this mysterious Gain Staging
Anatomy of a Synth
Delay Delay Delay
DI Bass Recording Practices
Overview of Reverb
Mix Templates & Why We Use Them
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